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OverviewFull Product DetailsAuthor: Jun OkadaPublisher: Rutgers University Press Imprint: Rutgers University Press Dimensions: Width: 15.20cm , Height: 1.40cm , Length: 22.90cm Weight: 0.399kg ISBN: 9780813565026ISBN 10: 0813565022 Pages: 180 Publication Date: 06 March 2015 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsAcknowledgmentsIntroduction: The Shared History of Asian American Film and Video and Public Interest MediaChapter 1: “Noble and Uplifting and Boring as Hell”: Asian American Film and Video, 1971–1982Chapter 2: The Center for Asian American Media and the Televisual Public SphereChapter 3: Pathology as Authenticity: ITVS, Terminal USA, and the Televisual Struggle Over Positive/Negative ImagesChapter 4: Dismembered from History: The Counternostalgia of Gregg ArakiChapter 5: Better Luck Tomorrow and the Transnational Reframing of Asian American Film and VideoChapter 6: Post–Asian American Feature Film: The Persistence of Institutionality in Finishing the Game: The Search for a New Bruce Lee and American ZombieAfterwordNotesBibliographyIndexReviewsMaking Asian American Film and Video tells the fascinating and significant story of the emergence of Asian American film and video within the wider media culture of the United States. --Gina Marchetti author of The Chinese Diaspora on American Screens: Race, Sex, and Cinema Author InformationJUN OKADA is an assistant professor of English and director of film studies at the State University of New York, Geneseo. Tab Content 6Author Website:Countries AvailableAll regions |