Overview

A vividly colorful portrait of one of the greatest and most fascinating figures of the Renaissance, Lorenzo de' Medici, focusing on his role as a brilliant--sometimes ruthless--statesman who was responsible for the artistic flowering of Florence, the city where the Renaissance first blossomed. Lorenzo de' Medici--a leading statesman, the uncrowned ruler of Florence during its golden age, a true Renaissance man known to history as Il Magnifico (the Magnificent). Lorenzo was not only the foremost patron of his day but also a renowned poet, equally adept at composing philosophical verses and obscene rhymes to be sung at Carnival. He befriended the greatest artists and writers of the time--Leonardo, Botticelli, Poliziano, and, especially, Michelangelo, whom he discovered as a young boy and invited to live at his palace--and, in the process, turned Florence into the cultural capital of Europe. Though Lorenzo's grandfather Cosimo had converted the vast wealth of the family bank into political power, Lorenzo's position was precarious. Bitter rivalries among the leading Florentine families and competition among the squabbling Italian states meant that Lorenzo's life was under constant threat. Those who plotted his death included a pope, a king, and a duke, but Lorenzo used his legendary charm and diplomatic skill--as well as occasional acts of violence--to navigate the murderous labyrinth of Italian politics. Florence in the age of Lorenzo was a city of contrasts, of unparalleled artistic brilliance and unimaginable squalor in the city's crowded tenements; of both pagan excess and the fire-and-brimstone sermons of the Dominican preacher Savonarola. Florence gave birth to both the otherworldly perfection of Botticelli's Primavera and the gritty realism of Machiavelli's The Prince. Nowhere was this world of contrasts more perfectly embodied than in the life and character of the man who ruled this most fascinating city.

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Reviews

Highly absorbing . . . provides a mesmerizing microscope for viewing the entire Italian Renaissance. . . . Magnifico is a wonderful feast for lovers of Renaissance history and art. <p> --Chuck Leddy, The Boston Globe <p><p>

Highly absorbing . . . provides a mesmerizing microscope for viewing the entire Italian Renaissance. . . . <i>Magnifico</i> is a wonderful feast for lovers of Renaissance history and art. --Chuck Leddy, <i>The Boston Globe</i>

A meticulous and entertaining study of one of the great characters of the Italian Renaissance, who ruled Florence during one of the most fascinating periods of Italy's turbulent history. Packed with incident and incisive research, this work succeeds in being both popular and scholarly. -- Paul Strathern, author of The Medici: Godfathers of the Renaissance

Highly absorbing . . . provides a mesmerizing microscope for viewing the entire Italian Renaissance. . . . Magnifico is a wonderful feast for lovers of Renaissance history and art. --Chuck Leddy, The Boston Globe

Author Information

Miles J. Unger writes on art, books, and culture for The Economist. Formerly the managing editor of Art New England, he was a contributing writer to The New York Times. He is the author of Picasso and the Painting That Shocked the World; The Watercolors of Winslow Homer; Magnifico: The Brilliant Life and Violent Times of Lorenzo de' Medici; Machiavelli: A Biography; and Michelangelo: A Life in Six Masterpieces. Visit MilesJunger.com.

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