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OverviewThis volume explores the concept of magnificence as a social construction in seventeenth-century Europe. Although this period is often described as the ‘Age of Magnificence’, thus far no attempts have been made to investigate how the term and the concept of magnificence functioned. The authors focus on the way crucial ethical, religious, political, aesthetic, and cultural developments interacted with thought on magnificence in Catholic and Protestant contexts, analysing spectacular civic and courtly festivities and theatre, impressive displays of painting and sculpture in rich architectural settings, splendid gardens, exclusive etiquette, grand households, and learned treatises of moral philosophy. Contributors: Lindsay Alberts, Stijn Bussels, Jorge Fernández-Santos, Anne-Madeleine Goulet, Elizabeth den Hartog, Michèle-Caroline Heck, Miguel Hermoso Cuesta, José Eloy Hortal Muñoz, Félix Labrador Arroyo, Victoire Malenfer, Alessandro Metlica, Alessandra Mignatti, Anne-Françoise Morel, Matthias Roick, Kathrin Stocker, Klaas Tindemans, and Gijs Versteegen. Full Product DetailsAuthor: Gijs Versteegen , Stijn Bussels , Walter MelionPublisher: Brill Imprint: Brill Volume: 72 Weight: 0.860kg ISBN: 9789004432642ISBN 10: 9004432647 Pages: 376 Publication Date: 19 November 2020 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In stock  We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsAcknowledgements List of Illustrations Notes on the Editors Notes on the Contributors Introduction Gijs Versteegen and Stijn Bussels Part 1: Traditions of Thought on Magnificence 1 Early Modern Readings of Aristotle’s Theory of Magnificence in the Ethics Matthias Roick 2 Medieval Background to Magnificence in Habsburg Spain: King Solomon as Enduring Exemplar of Divine Worship Jorge Fernández-Santos 3 Magnificence between Effect of Power and Power of Effect Michèle-Caroline Heck Part 2: The Court and Aristocracy 4 The Hall of Realms, a Space for Royal Magnificence Miguel Hermoso Cuesta 5 Magnificence, Power, and Private Finance in the Seventeenth Century: Flavio Orsini and Marie-Anne de La Trémoille, between Rome and Paris (1675–1686) Anne-Madeleine Goulet 6 The Magnificence of the Royal Household and Royal Sites: The Case of the Spanish Monarchy Félix Labrador Arroyo and José Eloy Hortal Muñoz 7 Educating Magnificence: Juan Eusebio Nieremberg on Ascesis and Splendour in his Manual for the Reales Estudios of the Colegio Imperial at Madrid Gijs Versteegen Part 3: Architecture 8 Building Magnificence in the Dutch Golden Age: the Amsterdam Town Hall Stijn Bussels and Bram Van Oostveldt 9 Maiestate Tantum: Spiritual Magnificence at the Cappella dei Principi Lindsay Alberts 10 Magnificence Exemplified: the Restoration of the Old St. Paul’s London Anne-Françoise Morel 11 Magnificent! Gaspar Fagel’s Plant Collection at Leeuwenhorst Elizabeth den Hartog Part 4: Performance 12 Magnificence and Atticism in Seventeenth-Century Venice Alessandro Metlica 13 Magnificence and Regality in Milanese Celebratory Sets: The Birth of Balthasar Charles and Exequies in the Epoch of Philip IV Alessandra Mignatti 14 The Ducal Stage: Festive Culture and the Display of Magnificence in Seventeenth-Century Württemberg Kathrin Stocker 15 The Libertine Subversion of the Masque: The Case of John Wilmot’s Lucina’s Rape Klaas Tindemans 16 Magnificence as Aesthetic Category in Court Plays: Molière’s Les Amants Magnifiques (The Magnificent Lovers) Victoire Malenfer Index NominumReviewsAuthor InformationGijs Versteegen, Ph.D., is lecturer in early modern history at the Universidad Rey Juan Carlos (Madrid). He researched court philosophy and the reception of court culture in enlightened and liberal historiography, publishing the monograph Corte y Estado en la historiografía liberal: un cambio de paradigma (Madrid: 2015). Stijn Bussels. Ph.D. (2005, Ghent University) is Professor of Art History at the Leiden University. He has published widely on the intersections between the visual arts, theatre and spectacle in the early modern Low Countries. He is the author of The Antwerp Entry of Prince Philip in 1549. Rhetoric, Performance and Power (Rodopi 2012). Walter S. Melion is Asa Griggs Candler Professor of Art History at Emory University. He has published widely on early modern image cultures, on the art and art theory of the Low Countries, on scriptural image-making, on emblems and emblematics, and on Jesuit image theory. Tab Content 6Author Website:Countries AvailableAll regions |
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