Love in Motion: Erotic Relationships in Film

Author:   Reidar Due
Publisher:   Columbia University Press
ISBN:  

9780231167321


Pages:   192
Publication Date:   12 November 2013
Format:   Hardback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Love in Motion: Erotic Relationships in Film


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Overview

This is a book about how film encountered love in the course of its history. It is also a book about the philosophy of love. Since Plato, erotic love has been praised for leading the soul to knowledge. The vast tradition of poetry devoted to love has emphasized that love is a feeling. Love in Motion presents a new metaphysics and ontology of love as a reciprocal erotic relationship. The book argues that film has been particularly well suited for depicting love in this way, in virtue of its special narrative language. This is a language of expression that has developed in the course of film history. The book spans this history from early silent directors such as Joseph von Sternberg to contemporary filmmakers like Sophia Coppola. At the centre of this study is a comparison between Classical French and American love films of the forties and a series of modernist films by Luis Buñuel, François Truffaut and Wong Kar Wai.

Full Product Details

Author:   Reidar Due
Publisher:   Columbia University Press
Imprint:   Wallflower Press
Dimensions:   Width: 15.60cm , Height: 1.80cm , Length: 23.40cm
Weight:   0.440kg
ISBN:  

9780231167321


ISBN 10:   0231167326
Pages:   192
Publication Date:   12 November 2013
Audience:   Professional and scholarly ,  Professional & Vocational ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.
Language:   English

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Reidar Due teaches Film Aesthetics and is Fellow in French at Magdalen College, Oxford University. He has previously published on Jean-Paul Sartre and Gilles Deleuze, and his research centers on the ontology of modern art and the relationship between phenomenology and ethics.

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