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OverviewThrough sheer determination and courage, Kahn has researched the nature of concrete in the form of precast, cast in place or blocks. Each of his renowned works in exposed concrete, such as the Yale Art Gallery, the Richards Laboratories, the Bath House, the Salk Institute, the National Assembly, the Kimbell Museum, the Exeter Library and the Yale Center for British Art, is itself an important chapter in the history of architecture for the exploration into concrete’s formal expression, beyond the lesson of Le Corbusier. Kahn’s obsession on concrete fabrication processes, on the formwork and the mix-design, is systematically examined in two volumes. The authors illustrate Kahn’s vision with documents that have never been revealed in other essays, drawing heavily from original sketches, plans, specifications, worksite photographs, and correspondences with collaborators, engineers, technicians and contractors. The first volume Exposed Concrete and Hollow Stones focuses on the first ten-year period of Kahn research on concrete. Moving through the many construction systems experienced by Kahn, from the discovery of exposed concrete in the form of béton brut at the Yale Art Gallery, to the precast and poured-in-place techniques, to the values of joint, growth and ornament, the essay culminates in the reconstruction of the artistic and technical characteristics of two great worksite, the Richards Laboratories and the First Unitarian Church and School. The second volume, Towards the Zero Degree of Concrete, covers the following fourteen years and leads the reader along Kahn’s path to the true 'nature of concrete', focusing on his main techniques and poetic discoveries such as the 'liquid stone' of the Salk Institute, the 'smooth finish' at Bryn Mawr and the concept of 'monolithic' at the Yale Center for British Art. Full Product DetailsAuthor: Anna RoselliniPublisher: Presses Polytechniques et Universitaires Romandes Imprint: Presses Polytechniques et Universitaires Romandes Dimensions: Width: 18.10cm , Height: 3.10cm , Length: 24.90cm Weight: 1.383kg ISBN: 9782940222773ISBN 10: 2940222770 Pages: 500 Publication Date: 13 November 2014 Audience: College/higher education , Postgraduate, Research & Scholarly , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents1. The Nature of Concrete: the 'Liquid Stone' of the Salk Institute 2. Confirmations of the 'Smooth Finish': the Worksite at Bryn Mawr 3. Design and Construction in Concrete at Dhaka 4. Walls and Vaults of the Kimbell Art Museum 5. Concrete and Brick 6. Different Forms of Exposed Concrete 7. Delirious Formwork: Slip-Form Method for Skyscrapers 8. Towards the Monolith: the Yale Center for British Art IndexReviewsAuthor InformationAnna Rosellini received her degree at the IUAV University of Venice in 2003 and an European master in History of Architecture at the University of Roma Tre in 2004. In 2008 she completed her PhD on Theories and History of Arts at the SSAV in Venice. Since 2009, she conducts research at the EPFL in Lausanne. She is author of Le Corbusier, Béton brut and Ineffable Space, 1940-1965: Surface Materials and Psychophysiology of Vision; and Le Corbusier e la superficie, dal rivestimento d’intonaco al béton brut. Tab Content 6Author Website:Countries AvailableAll regions |
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