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OverviewFull Product DetailsAuthor: Mette HjortPublisher: Museum Tusculanum Press Imprint: Museum Tusculanum Press Dimensions: Width: 19.00cm , Height: 1.80cm , Length: 14.00cm Weight: 0.530kg ISBN: 9788763534833ISBN 10: 8763534835 Pages: 277 Publication Date: 19 October 2010 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: In stock We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsIn Scherfigs film, three men and three women embark on Italian lessons in a small Danish village as a means of eluding their acutely lonely and unhappy lives. After their teacher suffers a heart attack, the group unite in solidarity to continue the class. Hjorts book imbues Scherfigs film and the Dogme movement with a new depth, evaluating both the Dogme manifestos strengths and limitations. Hjorts investment in Italian for Beginners surpasses much of the initial dismissal the film faced by critics upon its release. She explores the cathartic qualities of the film as part of a moral framework, one that builds on friendship and hope amongst the maligned. Hjort also reinforces Scherfigs contribution to Dogme as the first female director to deploy and negotiate the many challenging edifices the manifesto presents. In doing so, Hjort underscores how Scherfig achieves a great sense of profundity through these means and elevates the status of Italian for Beginners in the process. - Kate Moffat, Cinema Scandinavia, Spring 2015 ""In Scherfigs film, three men and three women embark on Italian lessons in a small Danish village as a means of eluding their acutely lonely and unhappy lives. After their teacher suffers a heart attack, the group unite in solidarity to continue the class. Hjorts book imbues Scherfigs film and the Dogme movement with a new depth, evaluating both the Dogme manifestos strengths and limitations. Hjorts investment in Italian for Beginners surpasses much of the initial dismissal the film faced by critics upon its release. She explores the cathartic qualities of the film as part of a moral framework, one that builds on friendship and hope amongst the maligned. Hjort also reinforces Scherfigs contribution to Dogme as the first female director to deploy and negotiate the many challenging edifices the manifesto presents. In doing so, Hjort underscores how Scherfig achieves a great sense of profundity through these means and elevates the status of Italian for Beginners in the process."" - Kate Moffat, Cinema Scandinavia, Spring 2015 Author InformationMette Hjort is Chair Professor and Head of the Department of Visual Studies at the Liberal Arts University of Hong Kong, Lingnan University. Tab Content 6Author Website:Countries AvailableAll regions |