Lone Scherfig's Italian for Beginners

Author:   Mette Hjort
Publisher:   Museum Tusculanum Press
ISBN:  

9788763534833


Pages:   277
Publication Date:   19 October 2010
Format:   Paperback
Availability:   In stock   Availability explained
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Lone Scherfig's Italian for Beginners


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Full Product Details

Author:   Mette Hjort
Publisher:   Museum Tusculanum Press
Imprint:   Museum Tusculanum Press
Dimensions:   Width: 19.00cm , Height: 1.80cm , Length: 14.00cm
Weight:   0.530kg
ISBN:  

9788763534833


ISBN 10:   8763534835
Pages:   277
Publication Date:   19 October 2010
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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Reviews

In Scherfigs film, three men and three women embark on Italian lessons in a small Danish village as a means of eluding their acutely lonely and unhappy lives. After their teacher suffers a heart attack, the group unite in solidarity to continue the class. Hjorts book imbues Scherfigs film and the Dogme movement with a new depth, evaluating both the Dogme manifestos strengths and limitations. Hjorts investment in Italian for Beginners surpasses much of the initial dismissal the film faced by critics upon its release. She explores the cathartic qualities of the film as part of a moral framework, one that builds on friendship and hope amongst the maligned. Hjort also reinforces Scherfigs contribution to Dogme as the first female director to deploy and negotiate the many challenging edifices the manifesto presents. In doing so, Hjort underscores how Scherfig achieves a great sense of profundity through these means and elevates the status of Italian for Beginners in the process. - Kate Moffat, Cinema Scandinavia, Spring 2015


""In Scherfigs film, three men and three women embark on Italian lessons in a small Danish village as a means of eluding their acutely lonely and unhappy lives. After their teacher suffers a heart attack, the group unite in solidarity to continue the class. Hjorts book imbues Scherfigs film and the Dogme movement with a new depth, evaluating both the Dogme manifestos strengths and limitations. Hjorts investment in Italian for Beginners surpasses much of the initial dismissal the film faced by critics upon its release. She explores the cathartic qualities of the film as part of a moral framework, one that builds on friendship and hope amongst the maligned. Hjort also reinforces Scherfigs contribution to Dogme as the first female director to deploy and negotiate the many challenging edifices the manifesto presents. In doing so, Hjort underscores how Scherfig achieves a great sense of profundity through these means and elevates the status of Italian for Beginners in the process."" - Kate Moffat, Cinema Scandinavia, Spring 2015


Author Information

Mette Hjort is Chair Professor and Head of the Department of Visual Studies at the Liberal Arts University of Hong Kong, Lingnan University.

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