Free Delivery Over $100
|
|
|||
|
||||
OverviewLocating World Cinema argues for the importance of understanding the local context of a film’s creation and the nuances that it conveys to the spectator. It examines the sociocultural contexts intrinsic to cinema from milieus like the USSR/Russia, China, Japan, France, the US, Iran and India. The book analyses the works of some of the more celebrated but, at times, less than fully understood auteurs, such as Kenji Mizoguchi from Japan; Robert Bresson, Jacques Rivette and Éric Rohmer from France; Abbas Kiarostami from Iran; Martin Scorsese from the US; Zhang Yimou from China and Aleksei German from Russia. Further, it examines how the conditions of exhibition for art house cinema has transformed into the ‘global art film’ that attempts to bypass the local by addressing international audiences. The book deals with complex ideas but is lucidly written, making it accessible to film students and lay persons alike. Full Product DetailsAuthor: M K Raghavendra (Independent Film Critic)Publisher: Bloomsbury India Imprint: Bloomsbury Academic India Weight: 0.520kg ISBN: 9789389714203ISBN 10: 9389714206 Pages: 320 Publication Date: 18 March 2020 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order  Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Language: English Table of ContentsIntroduction: Between Meaning and Significance 1. The Engineered Look: The Film Festival Circuit and the Aesthetics of the Global Art Film 2. A Fallible Tradition: Kenji Mizoguchi and the Post-War Transformation of Japan 3. World and Text: Interpreting Jacques Rivette 4. Unattainable Women: Sexual Anxiety and Location— Scorsese, Rohmer and Kiarostami 5. Beyond Religion: The Spiritual Cinema of Robert Bresson 6. Nation and Transgression: Ideology and the Horror Film in India and Pakistan 7. A Trajectory of Form: The Development of Soviet/Russian Cinema (1910–2010) 8. History as Polyphony: Understanding Aleksei German 9. Utopia and the Patriarchal Order: Zhang Yimou as a Chinese National Artist Bibliography Film Index Index About the AuthorReviewsAuthor InformationMK Raghavendra is an Indian film critic. He received the National Award for Best Film Critic in 1997. He has authored three volumes of academic film criticism – Seduced by the Familiar: Narration and Meaning in Indian Popular Cinema (Oxford, 2008), Bipolar Identity: Region, Nation and the Kannada Language Film (Oxford, 2011) and The Politics of Hindi Cinema in the New Millennium: Bollywood and the Anglophone Indian Nation (Oxford, 2014). He has also written two books on cinema for the general reader 50 Indian Film Classics (Collins, 2009) and Director’s Cut: 50 Film-makers of the Modern Era (Collins, 2013) and edited an anthology of writing on South-Indian cinema, published by HarperCollins in 2017, Beyond Bollywood: The Cinemas of South India. His book The Oxford Short Introduction to Bollywood was published in 2016. His academic writings have been anthologized in books published by Oxford University Press, SAGE, Routledge, BFI (British Film Institute). He is a member of FIPRESCI and has been on the juries of several international film festivals including East-West: The Golden Arch, 2018 and 2019. Tab Content 6Author Website:Countries AvailableAll regions |
||||
