Felsina Pittrice: Lives of the Bolognese Painters

Author:   Carlo Cesare Malvasia, Con ,  Professor of Art History Elizabeth Cropper ,  Lorenzo Pericolo
Publisher:   Brepols N.V.
Edition:   Annotated edition
Volume:   13
ISBN:  

9781909400009


Pages:   437
Publication Date:   10 December 2013
Format:   Hardback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Felsina Pittrice: Lives of the Bolognese Painters


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Overview

Richly illustrated, this critical edition and English translation of Malvasia's lives of Domenichino and Francesco Gessi from his Felsina pittrice offer access to the life and work of two great masters of seventeenth-century Bologna. Domenichino's life plays a seminal role in Malvasia's definition of the fourth age of painting in Italy. From the very beginning, Malvasia pits against each other Guido Reni and Domenichino, the two champions of the vanguard style that emerged from the Carracci reform of painting. If Guido becomes the idol of the Lombard and Bolognese school, more attuned to tenderness and audacity, Domenichino embodies an ideal of perfection more in keeping with the Florentine and Roman school, fond of finish and diligence. Malvasia reports that he did not know Domenichino, and his reconstruction of the career of the master as he moved among Rome, Naples, and Bologna stands in stark contrast to Giovan Pietro Bellori's more sympathetic account, published in 1672. If, to redeem the supremacy of the Bolognese school, Malvasia downplays the problem of Domenichino's erudition and fertility of invention, he does so with hesitation and among unresolvable contradictions. His assimilation of Domenichino's art to the Roman and Tuscan canon is, then, profoundly polemical. In this light, Malvasia's life of Domenichino can be defined as the most tormented and ultimately unsuccessful eulogy in the Felsina pittrice a great piece of art-historical criticism about an artist whose greatness Malvasia could not deny. Malvasia's assessment of the artistic personality of Francesco Gessi turns upon the painter's rivalry with his master, Guido Reni, whose perfection in painting nevertheless remains unmatchable. In relating how Domenichino snatched away the highly talented Giovan Battista Ruggeri from his previous master, Francesco Gessi, Malvasia turns the conflicts inherent in Domenichino's life into a generational struggle between artistic factions. In the process, Malvasia provides important biographical information about Giovan Giacomo Sementi, another of Guido's disciples and Gessi's lifelong rival.

Full Product Details

Author:   Carlo Cesare Malvasia, Con ,  Professor of Art History Elizabeth Cropper ,  Lorenzo Pericolo
Publisher:   Brepols N.V.
Imprint:   Harvey Miller Publishers
Edition:   Annotated edition
Volume:   13
Dimensions:   Width: 22.40cm , Height: 3.80cm , Length: 28.20cm
Weight:   2.223kg
ISBN:  

9781909400009


ISBN 10:   1909400009
Pages:   437
Publication Date:   10 December 2013
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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