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Full Product Details

Author:   Friedemann Sallis ,  Valentina Bertolani ,  Jan Burle ,  Laura Zattra
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.820kg
ISBN:  

9781138022607

ISBN 10:   1138022608
Pages:   340
Publication Date:   17 November 2017
Audience:   College/higher education ,  Postgraduate, Research & Scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Introduction Friedemann Sallis, Valentina Bertolani, Jan Burle and Laura Zattra Part I: Composition 1. Dwelling in a field of sonic relationships: ‘instrument’ and ‘listening’ in an ecosystemic view of live electronics performance Agostino Di Scipio 2. (The) speaking of characters, musically speaking Chris Chafe 3. Collaborating on composition: the role of the musical assistant at IRCAM, CCRMA and CSC Laura Zattra Part II: Performance 4. Alvise Vidolin interviewed by Laura Zattra: the role of the computer music designers in composition and performance Laura Zattra 5. Instrumentalists on solo works with live electronics: towards a contemporary form of chamber music? François-Xavier Féron and Guillaume Boutard 6. Approaches to notation in music for piano and live electronics: the performer’s perspective Xenia Pestova 7. Encounterpoint: the ungainly instrument as co-performer John Granzow 8. Robotic musicianship in live improvisation involving humans and machines George Tzanetakis Part III: Study 9. Authorship and performance tradition in the age of technology: (with examples from the performance history of works by Luigi Nono, Luciano Berio and Karlheinz Stockhausen) Angela Ida De Benedictis 10. (Absent) authors, texts and technologies: ethnographic pathways and compositional practices Nicola Scaldaferri 11. Computer-supported analysis of religious chant Dániel Péter Biró and George Tzanetakis 12. Fixing the fugitive: a case study in spectral transcription of Luigi Nono’s A Pierre. Dell’azzurro silenzio, inquietum. A più cori for contrabass flute in G, contrabass clarinet in B flat and live electronics (1985) Jan Burle 13. A spectral examination of Luigi Nono’s A Pierre. Dell’azzurro silenzio, inquietum (1985) Friedemann Sallis 14. Experiencing music as strong works or as games: the examination of learning processes in the production and reception of live electronic music Vincent Tiffon

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Author Information

Friedemann Sallis is Professor and Director of Graduate Studies in the Music Department at the University of Calgary, Canada. Valentina Bertolani is currently pursuing a PhD in musicology at the University of Calgary, Canada. Jan Burle is a scientist at Jülich Centre for Neutron Science, Forschungszentrum Jülich GmbH, Outstation at MLZ in Garching, Germany. Laura Zattra is a research fellow at Institut de Recherche et Coordination Acoustique/Musique (IRCAM) in Paris, France.

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