Overview

A complete chronicle of one of the greatest postwar jazz labels. Founded by jazz enthusiast Bob Weinstock, Prestige Records recorded the leading jazz artists of its day, many of whom were at or approaching their creative peak, from its inception in 1949 until 1972. It documented the changing jazz styles as they emerged, from bebop and post-bop, to third stream, hardbop, free jazz, and soul jazz, while honoring the previous generation of jazz musicians. Prestige was also among the first labels to work with recording engineer Rudy Van Gelder, who revolutionized the way jazz was recorded. The 1950s were a growth era for jazz, as modern jazz came to be accepted as part of mainstream American music. Prestige captured the leading artists of the era, including the Modern Jazz Quartet, Thelonious Monk, Sonny Rollins, John Coltrane, and especially Miles Davis, all of whom did some of their most important work for the label in this period. The 1960s saw an exciting and challenging new avant-garde, making the music that came to be known as ""free jazz,"" epitomized by leading Prestige artists Eric Dolphy and Booker Ervin. Other musicians looked back to their roots, developing the earthy, danceable style called soul jazz or jazz funk. Prestige became the epicenter of this new sound, thanks to artists such as Gene Ammons, Shirley Scott, Eddie ""Lockjaw"" Davis, Brother Jack McDuff, and George Benson. Listening to Prestige presents the author's lifelong enthusiasm for the label and takes a deep dive into Prestige's impressive catalog, documenting the key artists who shaped postwar American jazz.

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Reviews

""When it comes to jazz, this is one of the rare books that we actually need, that does not cover the usual ground with the usual suspects. Prestige Records, for all the attention it has received from audiences, is not well known in the historical sense. Every jazz fan has these records, which is important, but few know the inside story, the complex process of the jazz independent label in the era before independent labels became as common as recording projects. And Tad Richards is the writer to do this, with a firm grasp of jazz's historical succession, the bebop era, and the musical needs of musician and audience. Read this book."" — Allen Lowe, saxophonist and historian who has recorded with Julius Hemphill, David Murray, Doc Cheatham, and Marc Ribot

Author Information

Tad Richards is a prolific visual artist, poet, novelist, and nonfiction writer who has been active for over four decades. He is the author of many books, including Jazz with a Beat: Small Group Swing, 1940–1960, also published by SUNY Press. He lives in Kingston, New York.

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