Overview

What did Wordsworth wear, and where did he walk? Who was Byron's new mistress, and how did his marriage fare? Answers-sometimes accurate, sometimes not-were tantalizingly at the ready in the Romantic era, when confessional poetry, romans a clef, personal essays, and gossip columns offered readers exceptional access to well-known authors. But at what point did familiarity become overfamiliarity? Widely recognized as a social virtue, familiarity-a feeling of emotional closeness or comforting predictability-could also be dangerous, vulgar, or boring. In The Limits of Familiarity, Eckert persuasively argues that such concerns shaped literary production in the Romantic period. Bringing together reception studies, celebrity studies, and literary history to reveal how anxieties about familiarity shaped both Romanticism and conceptions of authorship, this book encourages us to reflect in our own fraught historical moment on the distinction between telling all and telling all too much.

Full Product Details

Author:   Lindsey Eckert
Publisher:   Bucknell University Press,U.S.
Imprint:   Bucknell University Press,U.S.
Dimensions:   Width: 15.60cm , Height: 1.90cm , Length: 23.50cm
Weight:   0.004kg
ISBN:  

9781684483914

ISBN 10:   1684483913
Pages:   258
Publication Date:   17 June 2022
Recommended Age:   From 18 to 99 years
Audience:   College/higher education ,  College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Reviews

"""In this fascinating book, ‘familiarity’ emerges as a crucial term for understanding Romantic-period culture. Eckert shows how authors walked a tightrope between cultivating familiarity with their readers and being overfamiliar towards them. Archival research, astute historical interpretation, and insightful criticism combine to reveal a history that resonates in the present."" -- Tom Mole * editor of Romanticism and Celebrity Culture, 1750-1850 * ""With a wonderful eye for detail, Eckert opens rewarding angles of view on the often-contentious back-and-forth between authors and their publics that shaped Romantic-era literary culture. This remarkably lucid study contributes valuable new understanding both of writers’ careers and of the activity of readers across multiple spheres of reception."" -- Eric Eisner * author of Nineteenth-Century Poetry and Literary Celebrity * ""In her lucid examination of relationships between authors and readers, and especially writers’ attempts to negotiate the boundaries between personal closeness and public exposure, Eckert establishes familiarity’s centrality—as both promise and problem—to Romantic authorship."" -- Andrew Franta * author of Romanticism and the Rise of the Mass Public * ""The Limits of Familiarity uses an impressive array of archival materials and its case studies are meticulously detailed...[Eckert] shows the tenuousness of the line between familiarity and over-familiarity—the same author can be praised or pilloried, depending on the cultural mood. [I]t is a book focused on a particular historical moment. Yet its resonances ring far wider.""  * The Times Literary Supplement * ""With a wonderful eye for detail, Eckert opens rewarding angles of view on the often-contentious back-and-forth between authors and their publics that shaped Romantic-era literary culture. This remarkably lucid study contributes valuable new understanding both of writers’ careers and of the activity of readers across multiple spheres of reception."" -- Eric Eisner * author of Nineteenth-Century Poetry and Literary Celebrity * ""In her lucid examination of relationships between authors and readers, and especially writers’ attempts to negotiate the boundaries between personal closeness and public exposure, Eckert establishes familiarity’s centrality—as both promise and problem—to Romantic authorship."" -- Andrew Franta * author of Romanticism and the Rise of the Mass Public * ""In this fascinating book, ‘familiarity’ emerges as a crucial term for understanding Romantic-period culture. Eckert shows how authors walked a tightrope between cultivating familiarity with their readers and being overfamiliar towards them. Archival research, astute historical interpretation, and insightful criticism combine to reveal a history that resonates in the present."" -- Tom Mole * editor of Romanticism and Celebrity Culture, 1750-1850 * “. . . a complex, enticing picture of Romantic celebrity—one that expands the terrain beyond the stories we’re used to.” * Eighteenth-Century Studies * “Required reading for anyone interested in the history of Romantic readerships, media history, or the culture of celebrity, The Limits of Familiarity makes new and productively strange the concept of the familiar for Romanticist scholarship.” * Keats-Shelley Journal * “The Limits of Familiarity draws on a wealth of source material from the prose nonfiction framework that scaffolds literary production, including private correspondence, reviews, the prefaces that frame collections of poetry, and the letters that fans of those poetry collections sent to their authors. . . . Eckert’s analysis is satisfyingly thorough, and will be valuable for anyone interested in the reception history of celebrity, media history, and the power dynamics that shape popular and literary culture.” * Prose Studies * “[I]n her lively and clearly written book, Eckert turns our attention back to the surface of the veil [of familiarity], seeing it as integral to the workings of the Romantic-era literary marketplace, and not just in the newly emerging genre of the familiar essay.” * The Wordsworth Circle * “In this fascinating analysis of Romantic-era readership and reading practices, Lindsey Eckert explores the complex meanings of ‘familiarity’ and shows how attention to this concept can illuminate both the practice and the reception of writers including Charlotte Smith, William Wordsworth, Lord Byron, Caroline Lamb, and William Hazlitt.” * Eighteenth-Century Fiction *"

In her lucid examination of relationships between authors and readers, and especially writers' attempts to negotiate the boundaries between personal closeness and public exposure, Eckert establishes familiarity's centrality--as both promise and problem--to Romantic authorship. --Andrew Franta author of Romanticism and the Rise of the Mass Public In this fascinating book, 'familiarity' emerges as a crucial term for understanding Romantic-period culture. Eckert shows how authors walked a tightrope between cultivating familiarity with their readers and being overfamiliar towards them. Archival research, astute historical interpretation, and insightful criticism combine to reveal a history that resonates in the present. --Tom Mole author of Romanticism and Celebrity Culture, 1750-1850 With a wonderful eye for detail, Eckert opens rewarding angles of view on the often-contentious back-and-forth between authors and their publics that shaped Romantic-era literary culture. This remarkably lucid study contributes valuable new understanding both of writers' careers and of the activity of readers across multiple spheres of reception. --Eric Eisner author of Nineteenth-Century Poetry and Literary Celebrity

""In this fascinating book, ‘familiarity’ emerges as a crucial term for understanding Romantic-period culture. Eckert shows how authors walked a tightrope between cultivating familiarity with their readers and being overfamiliar towards them. Archival research, astute historical interpretation, and insightful criticism combine to reveal a history that resonates in the present.""— Tom Mole, editor of Romanticism and Celebrity Culture, 1750-1850 ""The Limits of Familiarity uses an impressive array of archival materials and its case studies are meticulously detailed...[Eckert] shows the tenuousness of the line between familiarity and over-familiarity—the same author can be praised or pilloried, depending on the cultural mood. [I]t is a book focused on a particular historical moment. Yet its resonances ring far wider."" — The Times Literary Supplement ""In her lucid examination of relationships between authors and readers, and especially writers’ attempts to negotiate the boundaries between personal closeness and public exposure, Eckert establishes familiarity’s centrality—as both promise and problem—to Romantic authorship.""— Andrew Franta, author of Romanticism and the Rise of the Mass Public “In this fascinating analysis of Romantic-era readership and reading practices, Lindsey Eckert explores the complex meanings of ‘familiarity’ and shows how attention to this concept can illuminate both the practice and the reception of writers including Charlotte Smith, William Wordsworth, Lord Byron, Caroline Lamb, and William Hazlitt.”— Eighteenth-Century Fiction ""With a wonderful eye for detail, Eckert opens rewarding angles of view on the often-contentious back-and-forth between authors and their publics that shaped Romantic-era literary culture. This remarkably lucid study contributes valuable new understanding both of writers’ careers and of the activity of readers across multiple spheres of reception.""— Eric Eisner, author of Nineteenth-Century Poetry and Literary Celebrity “. . . a complex, enticing picture of Romantic celebrity—one that expands the terrain beyond the stories we’re used to.”— Eighteenth-Century Studies “The Limits of Familiarity draws on a wealth of source material from the prose nonfiction framework that scaffolds literary production, including private correspondence, reviews, the prefaces that frame collections of poetry, and the letters that fans of those poetry collections sent to their authors. . . . Eckert’s analysis is satisfyingly thorough, and will be valuable for anyone interested in the reception history of celebrity, media history, and the power dynamics that shape popular and literary culture.”— Prose Studies “[I]n her lively and clearly written book, Eckert turns our attention back to the surface of the veil [of familiarity], seeing it as integral to the workings of the Romantic-era literary marketplace, and not just in the newly emerging genre of the familiar essay.”— The Wordsworth Circle “Required reading for anyone interested in the history of Romantic readerships, media history, or the culture of celebrity, The Limits of Familiarity makes new and productively strange the concept of the familiar for Romanticist scholarship.”— Keats-Shelley Journal

Author Information

LINDSEY ECKERT is an assistant professor of English at Florida State University in Tallahassee, where her research and teaching focus on Romanticism and the history of text technologies.

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