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Overview"In his philosophy of ethics and time, Emmanuel Levinas highlighted the tension that exists between the ""ontological adventure"" of immediate experience and the ""ethical adventure"" of redemptive relationships-associations in which absolute responsibility engenders a transcendence of being and self. In an original commingling of philosophy and cinema study, Sam B. Girgus applies Levinas's ethics to a variety of international films. His efforts point to a transnational pattern he terms the ""cinema of redemption"" that portrays the struggle to connect to others in redeeming ways. Girgus not only reveals the power of these films to articulate the crisis between ontological identity and ethical subjectivity. He also locates time and ethics within the structure and content of film itself. Drawing on the work of Luce Irigaray, Tina Chanter, Kelly Oliver, and Ewa Ziarek, Girgus reconsiders Levinas and his relationship to film, engaging with a feminist focus on the sexualized female body. Girgus offers fresh readings of films from several decades and cultures, including Frank Capra's Mr. Smith Goes to Washington (1939), Federico Fellini's La dolce vita (1959), Michelangelo Antonioni's L'avventura (1960), John Huston's The Misfits (1961), and Philip Kaufman's The Unbearable Lightness of Being (1988)." Full Product DetailsAuthor: Sam B. GirgusPublisher: Columbia University Press Imprint: Columbia University Press Weight: 0.476kg ISBN: 9780231147644ISBN 10: 0231147643 Pages: 272 Publication Date: 13 April 2010 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Out of stock  The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Language: English Table of ContentsReviewsGirgus's book offers fresh, intriguing insights. Choice Girgus's book offers fresh, intriguing insights. Choice Vol. 48 no. 3 Nov. 2010 Author InformationSam B. Girgus is professor of English at Vanderbilt University and author of Hollywood Renaissance: The Cinema of Democracy in the Era of Ford, Capra, and Kazan; The Films of Woody Allen; America on Film: Modernism, Documentary, and a Changing America; Desire and the Political Unconscious in American Literature: Eros and Ideology; The New Covenant: Jewish Writers and the American Idea; and The Law of the Heart: Individualism and the Modern Self in American Literature. A recipient of the Rockefeller Humanities Fellowship and other scholarly and teaching awards, he has lectured and taught extensively in universities throughout America and the world. Tab Content 6Author Website:Countries AvailableAll regions |
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