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Many of Leonardo's later admirers have attempted to wipe off the stain of unsteadiness from his character. They maintained that what is blamed in Leonardo is a general characteristic of great artists. They said that even the energetic Michelangelo who was absorbed in his work left many incompleted works, which was as little due to his fault as to Leonardo's in the same case. Besides some pictures were not as unfinished as he claimed, and what the layman would call a masterpiece may still appear to the creator of the work of art as an unsatisfied embodiment of his intentions; he has a faint notion of a perfection which he despairs of reproducing in likeness. Least of all should the artist be held responsible for the fate which befalls his works. As plausible as some of these excuses may sound they nevertheless do not explain the whole state of affairs which we find in Leonardo. The painful struggle with the work, the final flight from it and the indifference to its future fate may be seen in many other artists, but this behavior is shown in Leonardo to highest degree.

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Sigmund Freud ( born Sigismund Schlomo Freud; 6 May 1856 - 23 September 1939) was an Austrian neurologist and the founder of psychoanalysis, a clinical method for treating psychopathology through dialogue between a patient and a psychoanalyst.[4] Freud was born to Galician Jewish parents in the Moravian town of Freiberg, in the Austrian Empire. He qualified as a doctor of medicine in 1881 at the University of Vienna.[5][6] Upon completing his habilitation in 1885, he was appointed a docent in neuropathology and became an affiliated professor in 1902.[7] Freud lived and worked in Vienna, having set up his clinical practice there in 1886. In 1938, Freud left Austria to escape the Nazis. He died in exile in the United Kingdom in 1939. In founding psychoanalysis, Freud developed therapeutic techniques such as the use of free association and discovered transference, establishing its central role in the analytic process. Freud's redefinition of sexuality to include its infantile forms led him to formulate the Oedipus complex as the central tenet of psychoanalytical theory.[8] His analysis of dreams as wish-fulfillments provided him with models for the clinical analysis of symptom formation and the underlying mechanisms of repression. On this basis Freud elaborated his theory of the unconscious and went on to develop a model of psychic structure comprising id, ego and super-ego.[9] Freud postulated the existence of libido, a sexualised energy with which mental processes and structures are invested and which generates erotic attachments, and a death drive, the source of compulsive repetition, hate, aggression and neurotic guilt.[10] In his later works, Freud developed a wide-ranging interpretation and critique of religion and culture. Though in overall decline as a diagnostic and clinical practice, psychoanalysis remains influential within psychology, psychiatry, and psychotherapy, and across the humanities. It thus continues to generate extensive and highly contested debate with regard to its therapeutic efficacy, its scientific status, and whether it advances or is detrimental to the feminist cause.[11] Nonetheless, Freud's work has suffused contemporary Western thought and popular culture. W. H. Auden's 1940 poetic tribute to Freud describes him as having created a whole climate of opinion / under whom we conduct our different lives.

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