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OverviewThis book undertakes a concentrated study of the impact of degraded and low-quality imagery in contemporary cinema and real-world portrayals of violence. Through a series of case studies, the book explores examples of corrupted digital imagery that range from mainstream cinema portrayals of drone warfare and infantry killing, through to real-world recordings of terrorist attacks and executions, as well as perpetrator-created murder videos live-streamed on the internet. Despite post-modernist concerns of cultural inurement during the seminal period of digitalized and virtualized killing in the 1990s, real-world reactions to violent media indicate that our culture is anything but desensitized to these media depictions. Against such a background, this book is a concentrated study of how these images are created and circulated in the contemporary media landscape and how the effect and affect of violent material is impacted by the low-resolution aesthetic. Full Product DetailsAuthor: Stuart Marshall BenderPublisher: Springer International Publishing AG Imprint: Springer International Publishing AG Edition: Softcover reprint of the original 1st ed. 2017 Weight: 0.454kg ISBN: 9783319878003ISBN 10: 331987800 Pages: 144 Publication Date: 11 August 2018 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsChapter 1: Introduction.- Chapter 2: They Shoot Pixels Don’t They? Killing Pixels From Patriot Games to Collateral Murder and Call of Duty.- Chapter 3: Performing Murder on Live Television and Social Media.- Chapter 4: Rethinking the Aesthetics of Terror Videos.- Chapter 5: The Aesthetics of Sousveillance: Redacted (2007).- Chapter 6: Splats and Splashes: The Drone Warfare Genre and Digitally Mediated Trauma.- Chapter 7: Conclusion.ReviewsAuthor InformationStuart Marshall Bender is an Early Career Research Fellow at Curtin University, Australia, exploring the digital aesthetics of violence. A scholar and filmmaker, he has published work in The Journal of Popular Film & Television, M/C Journal, First Monday and had films screened in competition at a range of international festivals. Tab Content 6Author Website:Countries AvailableAll regions |
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