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OverviewThe artistic impact of Jean-Luc Godard, whose career in cinema has spanned over fifty years and yielded a hundred or more discrete works in different media cannot be overestimated, not only on French and other world cinemas, but on fields as diverse as television, video art, gallery installation, philosophy, music, literature, and dance. The Legacies of Jean-Luc Godard marks an initial attempt to map the range and diversity of Godard's impact across these different fields. It contains reassessments of key films like Vivre sa vie and Passion as well as considerations of Godard's influence over directors like Christophe Honoré. Contributors look at Godard's relation to philosophy and influence over film philosophy through reference to Wittgenstein, Deleuze, and Cavell, and show how Godard's work in cinema interacts with other arts, such as painting, music, and dance. They suggest that Godard's late work makes important contributions to debates in memory and Holocaust Studies. The volume will appeal to a non-specialist audience with its discussions of canonical films and treatment of themes popular within film studies programs such as cinema and ethics. But it will also attract academic specialists on Godard with its chapters on recent works, including Dans le noir du temps (2002) and Voyage(s) en utopie (2006), interventions in long-running academic debates (Godard, the Holocaust, and anti- Semitism), and treatment of rarely discussed areas of Godard's work (choreographed movement). Full Product DetailsAuthor: Douglas Morrey , Christina Stojanova , Nicole CôtéPublisher: Wilfrid Laurier University Press Imprint: Wilfrid Laurier University Press Dimensions: Width: 15.20cm , Height: 1.50cm , Length: 22.90cm Weight: 0.410kg ISBN: 9781554589203ISBN 10: 1554589207 Pages: 274 Publication Date: 30 January 2014 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: Temporarily unavailable  The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of Contents"The Legacies of Jean-Luc Godard, edited by Douglas Morrey, Christina Stojanova, and Nicole Côté List of Illustrations Foreword Douglas Morrey Acknowledgements Introduction Nicole Côté Part I Godardian Legacy in Film, Music, and Dance 1. Jean-Luc Godard, Christophe Honoré, and the Legacy of the New Wave in French Cinema Douglas Morrey 2. Jean-Luc Godard: Dans le noir du temps (2002)—The 'Filming' of a Musical Form Jürg Stenzl 3. Jean-Luc Godard and Contemporary Dance: The Judson Dance Theater Runs Across Breathless John Carnahan Part II Godardian Politics of Representation: Memory/History 4. The Representation of Factory Work in the Films of Jean-Luc Godard: Reaching the Impossible Shore Michel Cadé 5. Godard, Spielberg, the Muselmann, and the Concentration Camps Junji Hori 6. """"The Obligations of Memory"""": Godard's Underworld Journeys Russell J.A. Kilbourn 7. Jean Luc Godard's Histoire(s) du cinéma Brings the Dead Back to the Screen Céline Scemama Part III Godardian Legacy in Philosophy 8. Jean-Luc Godard and Ludwig Wittgenstein in New Contexts Christina Stojanova 9. Godard, Schizoanalysis, and the Immaculate Conception of the Frame David Sterritt 10. The """"Hidden Fire"""" of Inwardness: Cavell, Godard, and Modernism Glen W. Norton 11. The Romance of the Intellectual in Godard: A Love-Hate Relationship Tyson Stewart Part IV Formalist Legacies: Narratives and Exhibitions 12. Principles of Parametric Construction in Jean-Luc Godard's Passion Julien Lapointe 13. """"A Place of Active Judgement:"""" Parametric Narration in the Work of Jean-Luc Godard and Ian Wallace Timothy Long 14. Godard's Utopia(s) or the Performance of Failure André Habib About the Contributors Index"ReviewsAuthor InformationDouglas Morrey is an associate professor of French at the University of Warwick. He is the author of Jean-Luc Godard (2005) and the co-author of Jacques Rivette (2009). He is currently researching the legacy of the New Wave in French cinema. Christina Stojanova is an associate professor in film and media studies at the University of Regina. She is the co-editor, with Bela Szabados, of Wittgenstein at the Movies (2011). She is currently working on her book on new Romanian cinema. Nicole Côté is an associate professor at Université de Sherbrooke. She is a member of VERSUS, a group researching representations intersecting race/gender/ class in literature, video, and cinema. She has published several articles and book chapters, edited two shortstory anthologies, and co-edited three books, most recently, Expressions culturelles des francophonies (2008). Tab Content 6Author Website:Countries AvailableAll regions |
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