Overview

In this compendium Lee Friedlander examines the ordinary pickup truck, a quintessentially American mode of transportation. Unadorned in form as well as function, pickups have long been the vehicle of choice for farmers and tradespeople. Their well-worn beds-usually open to the elements, laid bare for all to see-have held and hauled all manner of things, from spare tires and jumbles of wires to animals and the occasional person. Friedlander, in his witty and encompassing clear-eyed idiom, has observed this most utilitarian and unapologetically personal object in its native setting: the cacophonous bricolage that is the American social landscape. Living for an hour or more inside his superb way of seeing is like taking a walk down a busy city street on a bright day: your ordinary vision is transformed into something sharper, more uncanny, more intelligent and more generous. -Teju Cole, the New York Times Magazine

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9783958295018

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"He offers views of that most utilitarian of american vehicles, as well as their surroundings, and, best of all, the contents of their truck beds...It's as if a meteorite hit a Walmart, and here are the vehicles that carted away the debris.--Mark Feeney ""Boston Globe"""

Author Information

"Lee Friedlander was born in 1934 in Aberdeen, Washington. In 1948 he began to photograph seriously and by the 1960s had become widely recognized for his all-encompassing portrayals of the American social landscape-a term he coined. Friedlander's influential work has been the subject of many seminal exhibitions including ""New Documents"" and ""Mirrors and Windows,"" both organized by John Szarkowski at the Museum of Modern Art, and more than 50 books including Self Portrait (1970), The American Monument (1976), Factory Valleys (1982), Sticks and Stones (2004), America By Car (2010) and Chain Link (2017)."

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