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Overview"This book asks ""How can legal doctrine be turned into filmic art?"" By ""legal doctrine"" Stanley Fish does not mean the sonorous abstractions that usually accompany the self-presentation of law--Justice, Equity, Equality, Liberty, Autonomy, and the like. Rather he has in mind the specific rules and procedures invoked and analyzed by courts on the way to declaring a decision--lawyer/client confidentiality, the distinction between interdicted violence and the violence performed by the legal system, the interplay of positive law and laws rooted in morality, the difference between civilian law and military law, the death penalty, the admissibility of different forms of evidence. In the movies he discusses, these and other points of doctrine and procedure do not serve as a background, occasionally visited, to the substantive issues that drive the plot and provide the characters with choices; they declare the plot, and character is formed and tested in relationship to their demands. Apparently technical matters are pressed until they occupy both foreground and background and become the movie's true subject. If large, abstract concepts emerge, they emerge at the back end of doctrine and are, in effect, produced by doctrine. These are not law-themed movies; they are movies about the unfolding of legal process." Full Product DetailsAuthor: Prof Stanley Fish (Davidson-Kahn Distinguished University Professor and Professor of Law, Davidson-Kahn Distinguished University Professor and Professor of Law, Florida International University)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 14.00cm , Height: 1.50cm , Length: 22.50cm Weight: 0.378kg ISBN: 9780198898726ISBN 10: 019889872 Pages: 224 Publication Date: 29 February 2024 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order  Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsIntroduction 1: Liberal Heroism and Reasonable Doubt: 12 Angry Men 2: The Law as Blind Machine: The Wrong Man 3: The Law Emerges from Violence: The Man Who Shot Liberty Valance and High Noon 4: The Law as the Object of Manipulation: Beyond a Reasonable Doubt and Witness for the Prosecution 5: Natural Law vs. Positive Law: Judgment at Nuremberg 6: The Law's Dogma and Religious Dogma: Inherit the Wind 7: Visible and Spectral Evidence: The Crucible 8: Man-made Law as a Refuge from Both the Devil's Assaults and God's Commands: A Man for All Seasons 9: Law as Craft: Anatomy of a Murder 10: Sex, Class, and Class Action: North Country 11: Speech, Radical Innocence, and the Law: Billy Budd 12: The Law and Storytelling: Amistad 13: Free Speech for Good or Ill: The People vs. Larry Flynt and Absence of Malice 14: Poetry Is Against the Law: Howl Conclusion: No More Delivered than PromisedReviewsAuthor InformationStanley Fish is Davidson-Kahn Distinguished University Professor and Professor of Law at Florida International University in Miami, and Dean Emeritus at the College of Liberal Arts and Sciences and Distinguished Professor of English, Criminal Justice and Political Science at the University of Illinois at Chicago. In addition to being one of the leading public intellectuals in the US, Fish is an extraordinarily prolific author whose works include over 200 scholarly publications and books, including The First: How to Think About Hate Speech, Campus Speech, Religious Speech, Fake News, Post-Truth, and Donald Trump (2019), Winning Arguments: What Works and Doesn't Work in Politics, the Bedroom, the Courtroom, and the Classroom (2016), and Versions of Academic Freedom: From Professionalism to Revolution (2014). Tab Content 6Author Website:Countries AvailableAll regions |
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