Late Westerns: The Persistence of a Genre

Author:   Lee Clark Mitchell
Publisher:   University of Nebraska Press
ISBN:  

9781496201966


Pages:   336
Publication Date:   01 December 2018
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Late Westerns: The Persistence of a Genre


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Author:   Lee Clark Mitchell
Publisher:   University of Nebraska Press
Imprint:   University of Nebraska Press
ISBN:  

9781496201966


ISBN 10:   1496201965
Pages:   336
Publication Date:   01 December 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Contents List of Illustrations Acknowledgments Introduction: There’s No Such Thing as Postwestern, and It’s a Good Thing Too 1. Ghostly Evocations in Bad Day at Black Rock 2. Catching the 3:10 to Yuma 3. Border-Crossing in Lone Star 4. Alternative Facts in The Three Burials of Melquiades Estrada 5. Defying Expectations in A History of Violence and Brokeback Mountain 6. Dueling Genres in No Country for Old Men 7. Subverting Late Westerns in The Counselor Epilogue: Habits of Imagination Notes Bibliography Index  

Reviews

Late Westerns offers a helpful and timely contribution to an important and growing area in the field of Western film studies, one anchored in the broader field of genre studies. All of the chapters are expertly written in a confident and highly readable style and, furthermore, indicate the work of a scholar completely in charge of his subject matter. -Matthew Carter, senior lecturer in film at Manchester Metropolitan University and author of Myth of the Western: New Perspectives on Hollywood's Frontier Narrative -- Matthew Carter Lee Clark Mitchell argues the often autopsied genre is well and alive, and ever-evolving without changing at its core. Examining a fistful of films, from 3:10 to Yuma to Brokeback Mountain to No Country For Old Men, he makes his points in persuasive detail. -Henry C. Parke, True West -- Henry C. Parke * True West *


Late Westerns offers a helpful and timely contribution to an important and growing area in the field of Western film studies, one anchored in the broader field of genre studies. All of the chapters are expertly written in a confident and highly readable style and, furthermore, indicate the work of a scholar completely in charge of his subject matter. -Matthew Carter, senior lecturer in film at Manchester Metropolitan University and author of Myth of the Western: New Perspectives on Hollywood's Frontier Narrative? -- Matthew Carter


Lee Clark Mitchell argues the often autopsied genre is well and alive, and ever-evolving without changing at its core. Examining a fistful of films, from 3:10 to Yuma to Brokeback Mountain to No Country For Old Men, he makes his points in persuasive detail. -Henry C. Parke, True West -- Henry C. Parke * True West * Late Westerns offers a helpful and timely contribution to an important and growing area in the field of Western film studies, one anchored in the broader field of genre studies. All of the chapters are expertly written in a confident and highly readable style and, furthermore, indicate the work of a scholar completely in charge of his subject matter. -Matthew Carter, senior lecturer in film at Manchester Metropolitan University and author of Myth of the Western: New Perspectives on Hollywood's Frontier Narrative -- Matthew Carter


Author Information

Lee Clark Mitchell is the Holmes Professor of Belles-Lettres and a professor of English at Princeton University. He is the author of Mere Reading: The Poetics of Wonder in Modern American Novels; Westerns: Making the Man in Fiction and Film; and Determined Fictions: American Literary Naturalism, among other books.        

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