Language and Negativity in European Modernism

Author:   Shane Weller (University of Kent, Canterbury)
Publisher:   Cambridge University Press
ISBN:  

9781108475020


Pages:   280
Publication Date:   22 November 2018
Format:   Hardback
Availability:   In stock   Availability explained
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Language and Negativity in European Modernism


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Overview

This book charts the history of a distinct strain of European literary modernism that emerged out of a radical re-engagement with late nineteenth-century language scepticism. Focusing first on the literary and philosophical strands of this language-sceptical tradition, the book proceeds to trace the various forms of linguistic negativism deployed by European writers in the interwar and post-war years, including Franz Kafka, Georges Bataille, Samuel Beckett, Maurice Blanchot, Paul Celan, and W. G. Sebald. Through close analyses of these and other writers' attempts to capture an 'unspeakable' experience, Language and Negativity in European Modernism explores the remarkable literary attempt to deploy the negative potentialities of language in order to articulate an experience of what, shortly after the Second World War, Beckett described as a vision of 'humanity in ruins'.

Full Product Details

Author:   Shane Weller (University of Kent, Canterbury)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 15.90cm , Height: 2.00cm , Length: 23.50cm
Weight:   0.570kg
ISBN:  

9781108475020


ISBN 10:   1108475027
Pages:   280
Publication Date:   22 November 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Introduction; 1. The language crisis: from Mallarmé to Mauthner; 2. Great destructive work: The interwar years; 3. Performing the negative: Franz Kafka; 4. Humanity in ruins: Samuel Beckett; 5. Writing the disaster: Maurice Blanchot; 6. Through the thousand darknesses: Paul Celan; 7. Unconditional negativity: W. G. Sebald; 8. Unwording, terminal and interminable; Conclusion; Bibliography; Index.

Reviews

'… this book deals with a crucial aspect of modernist literature, and the overall view it offers of this historical progression is accompanied by close and solid analysis of texts.' Forum for Modern Language Studies


'... this book deals with a crucial aspect of modernist literature, and the overall view it offers of this historical progression is accompanied by close and solid analysis of texts.' Forum for Modern Language Studies


'... this book deals with a crucial aspect of modernist literature, and the overall view it offers of this historical progression is accompanied by close and solid analysis of texts.' Forum for Modern Language Studies '... this book deals with a crucial aspect of modernist literature, and the overall view it offers of this historical progression is accompanied by close and solid analysis of texts.' Forum for Modern Language Studies


Author Information

Shane Weller is Professor of Comparative Literature and Co-Director of the Centre for Modern European Literature at the University of Kent, Canterbury. His publications include A Taste for the Negative: Beckett and Nihilism (2004), Beckett, Literature and the Ethics of Alterity (2006), Literature, Philosophy, Nihilism: The Uncanniest of Guests (2008), and Modernism and Nihilism (2011). He is also the co-author (with Dirk Van Hulle) of two volumes in the Beckett Digital Manuscript Project series: The Making of Samuel Beckett's 'L'Innommable'/'The Unnamable' (2014) and The Making of Samuel Beckett's 'Fin de partie'/'Endgame' (2018).

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