Overview

Essays explore how the moving image mediates our relationship to and understanding of landscapes. Catherine Elwes takes readers on a journey through the twin histories of landscape art and experimental moving image to reveal how they coalesce in the work of artists from the 1970s to the present day. Written in a clear, engaging style and drawing on a wide geographical sampling, Elwes considers issues that have preoccupied film and video artists over the years, ranging from ecology, gender, race, performativity, conflict, colonialism, and our relationship to the nonhuman creatures with whom we share our world. The book conveys Elwes’s belief that artists can provide an embodied, emotional response to landscape, which is an essential driver in the urgent task of combating the environmental crisis we now face. Enlivened by the author’s own experiences as a video artist, writer, and curator and informed by conversations with fellow practitioners, the book offers an informed, personal view of the subject.

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9781789385823

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Reviews

'This is a beautifully-written, well-researched, thoughtful, generous and passionate book. It is one that seeks to make a difference not only to our knowledge of representations of landscapes by moving image artists but also to inspire new generations of eco-critically-minded artists to discover fresh ways to communicate urgent messages about the ongoing breakdown of the natural world. The book offers innovative explorations of how the moving image continues to facilitate understandings of our relationships to ‘natural’ landscapes. [...] This is an original, often inspirational work which offers a comprehensive and up-to-date view of landscape and moving image from the perspective of a highly knowledgeable artist.' -- Paul Newland, Journal of British Cinema and Television 'Drawing on her lifetime’s work as an artist, a scholar, and an arts administrator, Catherine Elwes’s new book is magnificent. The book’s global reach (from Uluru to the Arctic), the erosion of white male colonial and pectatorial privilege entailed in her expanded geographical perspectives, and her contextualization of all questions of landscape in political issues together mark a decisive and much-needed scholarly paradigm shift, one at last responsive to our present ecological disasters.' -- Professor David James, University of Southern California '[Elwes’s] writing really brings the films to life in their absence. It made me intrigued about the films but the book also stands alone and apart from them, vividly offering images that the reader puts together from the text. It adds other dimensions to the films that are enough even if one were to never see the works themselves – as a piece of writing conjuring a rich critical dimension.' -- Dr Judith Rugg, co-editor of Spatialities: The Geographies of Art & Architecture, and Issues of Curating Contemporary Art & Performance 'Moving images are now everywhere in galleries and art biennials, and ecology is no longer a niche theme. Drawing on decades of making and writing about film and video, Elwes offers more than a guided tour. She offers encounters with the art, ideas and artists of the Anthropocene, and invites readers into rich conversations about and between feminism, decolonial critique and environmentalism with eloquence, passion and wit. You will never see landscape art the same way again.' -- Professor Sean Cubitt, University of Melbourne

'Drawing on her lifetime's work as an artist, a scholar, and an arts administrator, Catherine Elwes's new book is magnificent. The book's global reach (from Uluru to the Arctic), the erosion of white male colonial and pectatorial privilege entailed in her expanded geographical perspectives, and her contextualization of all questions of landscape in political issues together mark a decisive and much-needed scholarly paradigm shift, one at last responsive to our present ecological disasters.' -- Professor David James, University of Southern California '[Elwes's] writing really brings the films to life in their absence. It made me intrigued about the films but the book also stands alone and apart from them, vividly offering images that the reader puts together from the text. It adds other dimensions to the films that are enough even if one were to never see the works themselves - as a piece of writing conjuring a rich critical dimension.' -- Dr Judith Rugg, co-editor of Spatialities: The Geographies of Art & Architecture, and Issues of Curating Contemporary Art & Performance 'Moving images are now everywhere in galleries and art biennials, and ecology is no longer a niche theme. Drawing on decades of making and writing about film and video, Elwes offers more than a guided tour. She offers encounters with the art, ideas and artists of the Anthropocene, and invites readers into rich conversations about and between feminism, decolonial critique and environmentalism with eloquence, passion and wit. You will never see landscape art the same way again.' -- Professor Sean Cubitt, University of Melbourne

Author Information

Elwes as a practitioner was a key figure in the early phases of video art in the United Kingdom and, at the same time, worked as a curator and critic. Until her retirement, she was professor of moving image art at the University of the Arts London; she is founding editor of the Moving Image Review & Art Journal (MIRAJ) and author of Video Art: A Guided Tour (2005) and Installation and the Moving Image (2015).

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