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OverviewEssays explore how the moving image mediates our relationship to and understanding of landscapes. Catherine Elwes takes readers on a journey through the twin histories of landscape art and experimental moving image to reveal how they coalesce in the work of artists from the 1970s to the present day. Written in a clear, engaging style and drawing on a wide geographical sampling, Elwes considers issues that have preoccupied film and video artists over the years, ranging from ecology, gender, race, performativity, conflict, colonialism, and our relationship to the nonhuman creatures with whom we share our world. The book conveys Elwes’s belief that artists can provide an embodied, emotional response to landscape, which is an essential driver in the urgent task of combating the environmental crisis we now face. Enlivened by the author’s own experiences as a video artist, writer, and curator and informed by conversations with fellow practitioners, the book offers an informed, personal view of the subject. Full Product DetailsAuthor: Catherine Elwes (Independent Scholar)Publisher: Intellect Books Imprint: Intellect Books Edition: New edition ISBN: 9781789385687ISBN 10: 1789385687 Pages: 298 Publication Date: 21 June 2022 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Out of stock  The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsAcknowledgements 1. Introduction - The semiotics of the view - Eco-critical practices - The indivisibility of the human subject and nature - The text - The parameters - Author’s note 2. The Terms of Engagement - Landscape, space and place - Inside and outside - The ethnographic eye and documentary: Negotiations of the real - The contested status of the real - Taking a step back – crossing over 3. The Invention of Landscape - Landscape, the antithesis of city life - The sublime, the spiritual and the indifference of nature - The picturesque and the pastoral - The return of the picturesque and the romantic sublime 4. The Social Construction of Landscape - National identity, society and history - Framing trauma in the landscape - Property, ownership, colonialism and class identity 5. Landscape Subjectivities - Do you see what I see? - The perceiving subject - A template for seeing, touching, hearing and feeling - Emotion, affect and sensation in nature 6. Painted Landscapes - The tools of the trade - Taking the eye for a walk – perspectives in painting - The great outdoors 7. Frames and Sequences - Photographing the view - Slide-tape: Landscape in series 8. Talking Pictures: Narrative, Time, Colour and Sound - ‘Nature caught in the act’ - Narrative film: Background and foreground - The time base - Colour and black-and-white - Sound and silence 9. Talking Pictures: Framing the View and the Spectator - Framing the view - Point of view: The restless eye - The spectator 10. Artists’ Moving Image - ‘Unmade Narratives’: Experimental film - Video: The travelling companion - Digital media: No man’s land - Photogénie and the entanglement of matter 11. Weather-Blown Film - River Yar (1971–72), William Raban and Chris Welsby - Theory: Clouds and clocks - Wind Vane (1972), Chris Welsby - Feedback: Cybernetics 12. Being-With: Rocks, Sea and Sky - La Région Centrale (1971), Michael Snow - Aspect (2004), Emily Richardson - Sea-changed film: R.V. Ramani and David Gatten - This Is My Land (2006), Ben Rivers - Dawn Burn (1975–76), Mary Lucier - Interwoven Motion (2004), Chris Meigh-Andrews - The wide blue yonder: Semiconductor, Susan Collins, James Turrell and James Benning 13. Getting the Shivers: Empathic Projection and the Elements - Jack Lauder and Lloyd Branson, Zacharias Kunuk, Oscar Muñoz, Bill Viola, Joan Jonas and William Raban 14. Anti-Terrain: Australasia and the ‘Vexed’ Question of Landscape - Preconceptions - The antipodean gaze - Refiguring landscapes - Imagining a future 15. Landscape and Identity Politics - Signatures - Slavery and the African Diaspora: The Black body in the landscape - Mother Earth - Queering the landscape - Fault lines – masculinity 16. Performing the Landscape - Acting out in Merrie England - Performing matter - Shifting the scenery 17. Animals - A pantomime of animals - Captive animals: A transaction of the gaze - ‘Companion animals’ - Cruelty to animals - Discreet courtship 18. Postscript References IndexReviews'This is a beautifully-written, well-researched, thoughtful, generous and passionate book. It is one that seeks to make a difference not only to our knowledge of representations of landscapes by moving image artists but also to inspire new generations of eco-critically-minded artists to discover fresh ways to communicate urgent messages about the ongoing breakdown of the natural world. The book offers innovative explorations of how the moving image continues to facilitate understandings of our relationships to ‘natural’ landscapes. [...] This is an original, often inspirational work which offers a comprehensive and up-to-date view of landscape and moving image from the perspective of a highly knowledgeable artist.' -- Paul Newland, Journal of British Cinema and Television 'Drawing on her lifetime’s work as an artist, a scholar, and an arts administrator, Catherine Elwes’s new book is magnificent. The book’s global reach (from Uluru to the Arctic), the erosion of white male colonial and pectatorial privilege entailed in her expanded geographical perspectives, and her contextualization of all questions of landscape in political issues together mark a decisive and much-needed scholarly paradigm shift, one at last responsive to our present ecological disasters.' -- Professor David James, University of Southern California '[Elwes’s] writing really brings the films to life in their absence. It made me intrigued about the films but the book also stands alone and apart from them, vividly offering images that the reader puts together from the text. It adds other dimensions to the films that are enough even if one were to never see the works themselves – as a piece of writing conjuring a rich critical dimension.' -- Dr Judith Rugg, co-editor of Spatialities: The Geographies of Art & Architecture, and Issues of Curating Contemporary Art & Performance 'Moving images are now everywhere in galleries and art biennials, and ecology is no longer a niche theme. Drawing on decades of making and writing about film and video, Elwes offers more than a guided tour. She offers encounters with the art, ideas and artists of the Anthropocene, and invites readers into rich conversations about and between feminism, decolonial critique and environmentalism with eloquence, passion and wit. You will never see landscape art the same way again.' -- Professor Sean Cubitt, University of Melbourne 'Drawing on her lifetime's work as an artist, a scholar, and an arts administrator, Catherine Elwes's new book is magnificent. The book's global reach (from Uluru to the Arctic), the erosion of white male colonial and pectatorial privilege entailed in her expanded geographical perspectives, and her contextualization of all questions of landscape in political issues together mark a decisive and much-needed scholarly paradigm shift, one at last responsive to our present ecological disasters.' -- Professor David James, University of Southern California '[Elwes's] writing really brings the films to life in their absence. It made me intrigued about the films but the book also stands alone and apart from them, vividly offering images that the reader puts together from the text. It adds other dimensions to the films that are enough even if one were to never see the works themselves - as a piece of writing conjuring a rich critical dimension.' -- Dr Judith Rugg, co-editor of Spatialities: The Geographies of Art & Architecture, and Issues of Curating Contemporary Art & Performance 'Moving images are now everywhere in galleries and art biennials, and ecology is no longer a niche theme. Drawing on decades of making and writing about film and video, Elwes offers more than a guided tour. She offers encounters with the art, ideas and artists of the Anthropocene, and invites readers into rich conversations about and between feminism, decolonial critique and environmentalism with eloquence, passion and wit. You will never see landscape art the same way again.' -- Professor Sean Cubitt, University of Melbourne Author InformationElwes as a practitioner was a key figure in the early phases of video art in the United Kingdom and, at the same time, worked as a curator and critic. Until her retirement, she was professor of moving image art at the University of the Arts London; she is founding editor of the Moving Image Review & Art Journal (MIRAJ) and author of Video Art: A Guided Tour (2005) and Installation and the Moving Image (2015). Tab Content 6Author Website:Countries AvailableAll regions |
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