Lab Coats in Hollywood: Science, Scientists, and Cinema

Author:   David A. Kirby (Senior Lecturer in Science Communication Studies, University of Manchester)
Publisher:   MIT Press Ltd
ISBN:  

9780262014786


Pages:   280
Publication Date:   04 February 2011
Recommended Age:   From 18 years
Format:   Hardback
Availability:   In Print   Availability explained
Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock.

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Lab Coats in Hollywood: Science, Scientists, and Cinema


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Overview

How science consultants make movie science plausible, in films ranging from 2001: A Space Odyssey to Finding Nemo. Stanley Kubrick's 2001: A Space Odyssey, released in 1968, is perhaps the most scientifically accurate film ever produced. The film presented such a plausible, realistic vision of space flight that many moon hoax proponents believe that Kubrick staged the 1969 moon landing using the same studios and techniques. Kubrick's scientific verisimilitude in 2001 came courtesy of his science consultants—including two former NASA scientists—and the more than sixty-five companies, research organizations, and government agencies that offered technical advice. Although most filmmakers don't consult experts as extensively as Kubrick did, films ranging from A Beautiful Mind and Contact to Finding Nemo and The Hulk have achieved some degree of scientific credibility because of science consultants. In Lab Coats in Hollywood, David Kirby examines the interaction of science and cinema: how science consultants make movie science plausible, how filmmakers negotiate scientific accuracy within production constraints, and how movies affect popular perceptions of science. Drawing on interviews and archival material, Kirby examines such science consulting tasks as fact checking and shaping visual iconography. Kirby finds that cinema can influence science as well: Depictions of science in popular films can promote research agendas, stimulate technological development, and even stir citizens into political action.

Full Product Details

Author:   David A. Kirby (Senior Lecturer in Science Communication Studies, University of Manchester)
Publisher:   MIT Press Ltd
Imprint:   MIT Press
Dimensions:   Width: 15.20cm , Height: 1.40cm , Length: 22.90cm
Weight:   0.590kg
ISBN:  

9780262014786


ISBN 10:   0262014785
Pages:   280
Publication Date:   04 February 2011
Recommended Age:   From 18 years
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Out of Print
Availability:   In Print   Availability explained
Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock.

Table of Contents

Reviews

For movie-lovers everywhere, it provides a fascinating behind-the-scenes look at how art and science meet in producing motion pictures we find delightful. -- Science For that strange corner where science nut meets movie buff, this is a very enlightening book. -- Booklist From 'prophetic' early films like 1929's Woman in the Moon science-focused movies like 2001: A Space Odyssey to admitted fiascos like The Core, Kirby's command of the subject makes for entertaining reading and, likely, more informed viewing. -- Publishers Weekly [O]ne of the most in-depth books on the intersection of science and Hollywood to date. -- ScriptPhD.com Kirby's book is honest and true, well-researched, unique, and easy to read. -- Jeff Schmerker, The Journal of Mind and Behavior


Kirby convincingly shows us that the interaction between science and cinema is not limited to the portrayal of scientists and science themes in the media, but can significantly contribute to shaping a movie's core concepts and - even more interestingly - scientists' own activity in the research sphere.


This is a must-read for anyone interested in popular representations of science. Kirby describes the ways that visual media interpret, naturalize, and engage with scientific theories (be they well-accepted, controversial, or fantastical), and how some scientists in turn manipulate cinematic depictions for their own ends. Plus, have I mentioned how much fun it is? -- <b>Carla Nappi</b> * <i>New Books in Science, Technology, and Society</i> * Kirby's book is honest and true, well-researched, unique, and easy to read. -- <b>Jeff Schmerker</b> * <i>The Journal of Mind and Behavior</i> * [O]ne of the most in-depth books on the intersection of science and Hollywood to date. * <i>ScriptPhD.com</i> * From 'prophetic' early films like 1929's Woman in the Moon science-focused movies like 2001: A Space Odyssey to admitted fiascos like The Core, Kirby's command of the subject makes for entertaining reading and, likely, more informed viewing. * <i>Publishers Weekly</i> * For that strange corner where science nut meets movie buff, this is a very enlightening book. * <i>Booklist</i> * For movie-lovers everywhere, it provides a fascinating behind-the-scenes look at how art and science meet in producing motion pictures we find delightful. * <i>Science</i> *


For movie-lovers everywhere, it provides a fascinating behind-the-scenes look at how art and science meet in producing motion pictures we find delightful. -- Science For that strange corner where science nut meets movie buff, this is a very enlightening book. -- Booklist From 'prophetic' early films like 1929's Woman in the Moon science-focused movies like 2001: A Space Odyssey to admitted fiascos like The Core, Kirby's command of the subject makes for entertaining reading and, likely, more informed viewing. -- Publishers Weekly [O]ne of the most in-depth books on the intersection of science and Hollywood to date. -- ScriptPhD.com Kirby's book is honest and true, well-researched, unique, and easy to read. -- Jeff Schmerker, The Journal of Mind and Behavior This is a must-read for anyone interested in popular representations of science. Kirby describes the ways that visual media interpret, naturalize, and engage with scientific theories (be they well-accepted, controversial, or fantastical), and how some scientists in turn manipulate cinematic depictions for their own ends. Plus, have I mentioned how much fun it is? --Carla Nappi, New Books in Science, Technology, and Society


Author Information

David A. Kirby is Senior Lecturer in Science Communication Studies at the Centre for the History of Science, Technology, and Medicine at the University of Manchester, England.

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