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OverviewFull Product DetailsAuthor: Alison Peirse , Daniel MartinPublisher: Edinburgh University Press Imprint: Edinburgh University Press Dimensions: Width: 15.60cm , Height: 2.30cm , Length: 23.40cm Weight: 0.529kg ISBN: 9780748643103ISBN 10: 0748643109 Pages: 256 Publication Date: 14 March 2013 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsAcknowledgements; Foreword, Julian Stringer; Contributors; Introduction, Alison Peirse and Daniel Martin; Part I: Classic Korean Horror, 1. Family, Death and the Wonhon in Three Films of the 1960s, Hyangjin Lee; 2. Creepy Liver-Eating Fox Ladies: The Thousand Year Old Fox and Korea's Gumiho, Alison Peirse and James Byrne; 3. War Horror and Anti-Communism: From Piagol to Rainy Days, Mark Morris; 4. Mother's Grudge and Woman's Wail: The Monster-Mother and Korean Horror Film, Eunha Oh; Part II: Contemporary 'Domestic' Horror, 5. Heritage of Horrors: Reclaiming the Female Ghost in Shadows in the Palace, Yun Mi Hwang; 6. From Acacia to Uninvited: Adoption Anxiety in Korean Horror Cinema, Hye Seung Chung; 7. Apartment Horror: Sorum and Possessed, Nikki J. Y. Lee; 8. The Face(s) of Korean Horror Film: Toward a Cinematic Physiognomy of Affective Extremes, David Scott Diffrient; 9. Death Bell and High School Horror, Chi-Yun Shin; Part III: Contemporary 'International' Horror, 10. Between the Local and the Global: 'Asian Horror' in Ahn Byung-ki's Phone and Bunshinsaba, Daniel Martin; 11. Diary of a Lost Girl: Victoriana, Intertextuality and A Tale of Two Sisters, Robert L. Cagle, 12.From A Tale of Two Sisters to The Uninvited: A Tale of Two Texts, Leung Wing-Fai, 13.Oldboy goes to Bollywood: Zinda and the Transnational Appropriation of South Korean 'Extreme' Cinema, Iain Robert Smith; 14. Park Chan-wook's Thirst: Passion, Guilt and Exsanguination, Kyu Hyun Kim; Glossary; Bibliography; IndexReviewsThroughout the book, the reader is introduced to a substantial history of Korean horror cinema and even readers with no knowledge of Korean films and culture will find the book useful. However, scholars and students in the field of Korean Film Studies will find the book essential. It is clearly arranged, accessible, well written and, most of all, its descriptions of Korean horror films are as fascinating as the chilling horror films that captivate us. -- Eunju Baehrisch, ast Asian Journal of Popular Culture Author InformationDr Peirse is a Lecturer in Film Studies at the University of Northumbria. Dr Martin is a Lecturer in Film Studies at Queen's University Belfast. Tab Content 6Author Website:Countries AvailableAll regions |