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9781438495668

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"""Claus Andersen has written the best study available in English of Karl Ove Knausgård’s shifting, slippery, but at the same time deeply earnest literary strategies. In a series of brilliant readings, Andersen probes at the real struggle of My Struggle—how the author holds together the fictive and the real, how he attempts to be both postmodern and unfashionably 'Romantic' at once, how he tells a novelized story yet honors what Andersen rightly calls Knausgård's 'longing for reality.' Using the concepts of 'the fictional pact' and the 'autobiographical pact,' Andersen triumphantly makes the case that Knausgård moves between and unites both these modes of writing, while simultaneously blurring the divisions between them. This is a luminous piece of criticism, one that also expands to consider the larger contemporary autofictional tradition."" — James Wood, staff writer and book critic at The New Yorker ""A valuable contribution to the study of Knausgård, autofiction, and contemporary literature more generally, this book argues that My Struggle indexes a crisis in the nature of fictionality in the twenty-first century. In developing the idea of 'auto-fictionalization,' Andersen complicates conventional understandings of the so-called autobiographical pact and models what a more sophisticated discussion of the relationship between fiction and life should look like. The book shines in its exploration of narrative theory, theories of fictionality, and the publishing contexts that informed Knausgård’s career trajectory."" — Lee Konstantinou, author of The Last Samurai Reread"

"""A valuable contribution to the study of Knausgård, autofiction, and contemporary literature more generally, this book argues that My Struggle indexes a crisis in the nature of fictionality in the twenty-first century. In developing the idea of 'auto-fictionalization,' Andersen complicates conventional understandings of the so-called autobiographical pact and models what a more sophisticated discussion of the relationship between fiction and life should look like. The book shines in its exploration of narrative theory, theories of fictionality, and the publishing contexts that informed Knausgård’s career trajectory."" — Lee Konstantinou, author of The Last Samurai Reread"

Author Information

Claus Elholm Andersen is Paul and Renate Madsen Assistant Professor of Scandinavian Studies in the Department of German, Nordic, and Slavic+ at the University of Wisconsin-Madison.

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