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OverviewThis book explores connections between the diverse ideas of Melanie Klein, Jean-Paul Sartre and Ingmar Bergman. These ideas are explored in relation to their shared focus on imagination and through detailed readings of a number of Bergman's key films. Full Product DetailsAuthor: Dan WilliamsPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Edition: 1st ed. 2015 Dimensions: Width: 14.00cm , Height: 2.00cm , Length: 21.60cm Weight: 4.139kg ISBN: 9781137471970ISBN 10: 1137471972 Pages: 236 Publication Date: 27 July 2015 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of Figures Acknowledgements 1. The Imagination: Bergman, Klein and Sartre 2. From Freud to Klein, and Wild Strawberries 3. Sartre's Theory of Imagination and The Seventh Seal 4. From Three Early Bergman Films to an Analysis of Summer with Monika 5. Revenge and Reparation in The Virgin Spring 6. The Destruction of the Artist: Hour of the Wolf 7. Conclusion Bibliography Filmography IndexReviews'This welcome and original study provides a stimulating investigation into the imagination and how the processes of imagining (dreams, memories, nightmares and visions) are manifested in Bergman's films. Williams' unique insight into the confluences and discrepancies between philosophy and psychoanalytic theory paves the way for an enlightening exploration of Bergman's films.' - Laura Hubner, University of Winchester, UK, author of The Films of Ingmar Bergman: Illusions of Light and Darkness (Palgrave Macmillan, 2007) 'This welcome and original study provides a stimulating investigation into the imagination and how the processes of imagining (dreams, memories, nightmares and visions) are manifested in Bergman's films. Williams' unique insight into the confluences and discrepancies between philosophy and psychoanalytic theory paves the way for an enlightening exploration of Bergman's films.' - Laura Hubner, University of Winchester, UK, author of The Films of Ingmar Bergman: Illusions of Light and Darkness (Palgrave Macmillan, 2007) 'This welcome and original study provides a stimulating investigation into the imagination and how the processes of imagining (dreams, memories, nightmares and visions) are manifested in Bergman's films. Williams' unique insight into the confluences and discrepancies between philosophy and psychoanalytic theory paves the way for an enlightening exploration of Bergman's films.' - Laura Hubner, University of Winchester, UK, author of The Films of Ingmar Bergman: Illusions of Light and Darkness (Palgrave Macmillan, 2007) 'This welcome and original study provides a stimulating investigation into the imagination and how the processes of imagining (dreams, memories, nightmares and visions) are manifested in Bergman's films. Williams' unique insight into the confluences and discrepancies between philosophy and psychoanalytic theory paves the way for an enlightening exploration of Bergman's films.' - Laura Hubner, University of Winchester, UK, author of The Films of Ingmar Bergman: Illusions of Light and Darkness (Palgrave Macmillan, 2007) Author InformationDan Williams, based in the UK, is an experienced lecturer in Film Studies who has worked in universities, adult education and currently teaches A Level Media Studies. Tab Content 6Author Website:Countries AvailableAll regions |
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