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OverviewSean Redmond's work fills an important gap in the scholarship on the European-inspired auteur working within the Hollywood cinema machine, Kathryn Bigelow. Structured to meet the needs of both the student and scholar, Redmond's volume situates Bigelow within her historical and critical context, exploring key collaborative relationships and new ways of watching her films. Beginning with Bigelow's biography, Redmond surveys the evolution of Kathryn's career as a Hollywood outsider with movies such as The Set-up (1978) and Near Dark (1987) to Hollywood blockbusters like Point Break (1991), The Hurt Locker (2010) and Zero Dark Thirty (2012).One of the key determinants of this volume is to locate Bigelow as a filmmaking artist who is able to transcend the collective, industrial, and commercial constraints of the Hollywood cinema machine to individually author her films in innovative and transgressive ways. Bigelow is contextualised as a contemporary auteur, with a distinct visual style who returns to the same themes and obsessions, and as a filmmaker who pushes cinematic boundaries, both in terms of film form and the representation of gender and sexuality. Full Product DetailsAuthor: Sean RedmondPublisher: Continuum Publishing Corporation Imprint: Continuum Publishing Corporation ISBN: 9781623564100ISBN 10: 1623564107 Pages: 304 Publication Date: 21 March 2024 Audience: Professional and scholarly , General/trade , Professional & Vocational , General Format: Hardback Publisher's Status: Active Availability: Not yet available  This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsIntroduction / biography / context: The Popular Art of Kathryn Bigelow 1. Key Collaborative Relationships: Working in the Shadow of Man 2. Essay One: Ways of watching X: Intensified Aesthetics 3. Essay Two: New critical exploration around a specific concept: Gender Transgression 4. A - Z Films / Themes / Key Concepts: Genre, Synesthetic soundscapes, Affect, and the space between movement and time, Looking relations (the virtual gaze), Queer Bigelow, Violence, Becoming Woman, Authorship, Stardom, Whiteness, Brand Bigelow Filmography Conclusion AppendixReviewsAuthor InformationSean Redmond is Associate Professor at Deakin University in Melbourne, Australia. He is the author of The Culture of Blood, and editor of Liquid Metal: The Science Fiction Film Reader. Tab Content 6Author Website:Countries AvailableAll regions |
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