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Nērkāṇalkaḷ ceyyappaṭum kalai ilakkiya āḷumaikaḷiṉ īṭupāṭukaḷ, veḷippāṭukaḷ kuṟitta pala taḷaṅkaḷaiyum veḷikkoṇṭuvarum nōkkam citaṟalāka māṟiviṭṭaṉa. Nēraṭiyākap pārttup pēcāmal eṭukkappaṭum viṉā-viṭai pāṇiyilāṉa nērkāṇalkaḷil ittakaiya kuṟaipāṭukaḷ tavirkka muṭiyātaṉa. Kuttu matippāṉa kēḷvikaḷai aṉuppum pēṭṭiyāḷarukkut toṭarcciyaṟṟa viṭaikaḷaic collit tappikkiṟārkaḷ āḷumaikaḷ. Oru kēḷvikkup piṉṉāl eḻuppappaṭum tuṇaikkēḷvi vaḻiyākavē nērkāṇalaik kāttiramāṉa vivātaṅkaḷāka ākkamuṭiyum. Āḷumaikaḷiṉ kalai ilakkiyappārvai, camakāla ilakkiyap pōkkil avaratu iṭam, cūḻalōṭum kalai ilakkiyak kōṭpāṭṭukaḷōṭu avaratu neruṅkalum vilakalum pōṉṟaṉavaṟṟai veḷikkoṇarāta nērkāṇalkaḷ anta vaṭivattai nīrttup pōkac ceytuviṭum. Aṇmaiyil vācitta palaratu nērkāṇalkaḷ itaṉai uṟuticeykiṉṟaṉa Show more Listen 763 / 5,000 Translation results Translation result star_border The purpose of uncovering multiple sites of engagements and expressions of artistic and literary personalities interviewed has become scattered. Such shortcomings are inevitable in question-and-answer style interviews conducted without face-to-face interaction. Personalities get away with disjointed answers to an interviewer who sends punchy questions. A follow-up question can be used to turn interviews into lively discussions.

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