Awards

• Winner of Best Book in Film Studies 2024 2025

Overview

For all its familiarity as a widely used term, 'Kafkaesque cinema' remains an often-baffling concept that is poorly understood by film scholars. Taking a cue from Jorge Luis Borges' point that Kafka has modified our conception of past and future artists, and Andre Bazin's suggestion that literary concepts and styles can exceed authors and 'novels from which they emanate', this monograph proposes a comprehensive examination of Kafkaesque Cinema in order to understand it as part of a transnational cinematic tradition rooted in Kafka's critique of modernity, which, however, extends beyond the Bohemian author's work and his historical experiences. Drawing on a range of disciplines in the Humanities including film, literary, and theatre studies, critical theory, and history, Kafkaesque Cinema will be the first full-length study of the subject and will be a useful resource for scholars and students interested in film theory, World Cinema, World Literature, and politics and representation.

Full Product Details

9781474498975

Table of Contents

Reviews

In times when references to the Kafkaesque have become inflationary, Angelos Koutsourakis provides a much-needed re-examination of this term. The scope of his study, which covers global cinema from the 1920s to the present day, is hugely impressive, but crucially, this is not a straightforward reception history. By widening the definition of the Kafkaesque to include Kafka’s cinematic precursors as well as his successors, he deftly shows how this concept can be mobilised in a critical capacity, highlighting film’s pivotal role at the intersections of aesthetics, politics and history. -- Professor Carolin Duttlinger, The University of Oxford Angelos K is guilty … of writing a standout book uncovering the widespread influence of the Kafkaesque on cinema. Remarkable in its insightful originality, Koutsourakis’s engaging analysis skillfully demonstrates how the Kafkaesque perpetually (re-)emerges in film history to critique the historical contradictions of modernity and its attendant crisis of liberalism. This compelling thesis is deftly　woven through a wide range of fascinating examples, as historically rich as they are geographically surprising. The refreshing and unique take on global political cinema found herein is thus a mental salve for a contemporary era of overwork and alienation – conditions which Kafka knew only too well. That is what makes this a must-read book, as it may be all that can save us from waking up to find we have suddenly metamorphosed into giant cockroaches. -- Professor David Martin-Jones, The University of Glasgow Kafkaesque Cinema is impressively erudite and develops an original argument about the transnational impact of Kafka’s writings on cinema, bringing to light hitherto neglected relations, interconnections and long-lasting legacies. -- Jury * The Janovics Center Award for Outstanding Humanities Research in Transnational Film and Theatre Studies * This magnificent monograph is deeply attuned to World-Systemic structures, revealing time and again how, as Koutsourakis notes in the book’s Epilogue, by ‘linking Kafkaesque cinema to the long crisis of liberalism we can understand it as a transnational aesthetic tradition that responds to social processes and relations operating on diverse spatial and temporal levels across the globe’ (p. 271). -- Ian Ellison * Modern Language Review *

Angelos K is guilty ... of writing a standout book uncovering the widespread influence of the Kafkaesque on cinema. Remarkable in its insightful originality, Koutsourakis's engaging analysis skillfully demonstrates how the Kafkaesque perpetually (re-)emerges in film history to critique the historical contradictions of modernity and its attendant crisis of liberalism. This compelling thesis is deftly woven through a wide range of fascinating examples, as historically rich as they are geographically surprising. The refreshing and unique take on global political cinema found herein is thus a mental salve for a contemporary era of overwork and alienation - conditions which Kafka knew only too well. That is what makes this a must-read book, as it may be all that can save us from waking up to find we have suddenly metamorphosed into giant cockroaches.--Professor David Martin-Jones, The University of Glasgow Kafkaesque Cinema is impressively erudite and develops an original argument about the transnational impact of Kafka's writings on cinema, bringing to light hitherto neglected relations, interconnections and long-lasting legacies.--Jury ""The Janovics Center Award for Outstanding Humanities Research in Transnational Film and Theatre Studies"" In times when references to the Kafkaesque have become inflationary, Angelos Koutsourakis provides a much-needed re-examination of this term. The scope of his study, which covers global cinema from the 1920s to the present day, is hugely impressive, but crucially, this is not a straightforward reception history. By widening the definition of the Kafkaesque to include Kafka's cinematic precursors as well as his successors, he deftly shows how this concept can be mobilised in a critical capacity, highlighting film's pivotal role at the intersections of aesthetics, politics and history. --Professor Carolin Duttlinger, The University of Oxford

Author Information

Angelos Koutsourakis is Professor in Film and Cultural Studies at the Centre for World Cinemas and Digital Cultures, University of Leeds. He is the author of Rethinking Brechtian Film Theory and Cinema (2018), Politics as Form in Lars von Trier (2013) and the co-editor of Cinema of Crisis: Film and Contemporary Europe (2020), and The Cinema of Theo Angelopoulos (2015).

Tab Content 6

Countries Available