Journeys on Screen: Theory, Ethics, Aesthetics

Author:   Louis Bayman ,  Natalia Pinazza
Publisher:   Edinburgh University Press
ISBN:  

9781474474641


Pages:   320
Publication Date:   31 August 2020
Format:   Paperback
Availability:   In Print   Availability explained
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Journeys on Screen: Theory, Ethics, Aesthetics


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Author:   Louis Bayman ,  Natalia Pinazza
Publisher:   Edinburgh University Press
Imprint:   Edinburgh University Press
ISBN:  

9781474474641


ISBN 10:   1474474640
Pages:   320
Publication Date:   31 August 2020
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

From the interplanetary travel and alien encounters of science fiction films to the exploratory drive and spiritual growth associated with road movies, journeys both actual and metaphorical have been central to the motion picture medium since its origins as a technological curiosity over a century ago. The contributors to this appropriately globe-trotting, border-crossing collection -- with chapters focusing on migrant narratives in Romanian cinema, diasporic themes in Indian filmmaking, and everything in-between -- make the case that the story of the movies is and has always been the story of moving. In an age of mass deportations and international travel bans, Journeys on Screen reminds us of the need for cross-cultural connectedness and cosmopolitan understanding of other people and places, and is sure to inspire a restorative wanderlust in its readers.--David Scott Diffrient, Colorado State University


Author Information

Louis Bayman is a lecturer in Film Studies at the University of Southampton. He holds a PhD from King's College, London and has published various articles on popular genres especially in relation to Italian cinema, serial killer cinema, film aesthetics and retro and nostalgia. He is author of the monograph The Operatic and the Everyday in Postwar Italian Film Melodrama (2014) and co-editor of the collection Popular Italian Cinema. Natália Pinazza is a lecturer in Portuguese Studies at the University of Exeter. She holds a PhD and MA from University of Bath and a BA from University of São Paulo. She undertook a UNESCO fellowship at the University of Ottawa, Canada. Pinazza's previous publications include New Approaches to Lusophone Culture, Journeys in Argentine and Brazilian Cinema: Road Films in a Global Era, World Cinema Directory: Brazil, and World Film Locations: São Paulo. She has published in journals such as the Journal of Latin American Cultural Studies and Alphaville: Journal of Media and Film Studies.

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