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OverviewThe years 1909–1930, the eleven-year presidency of the businessman-turned-politician Augusto B. Leguía, mark a formative period of Peruvian modernity, witnessing the continuity of a process of reconstruction and the development of an intellectual and cultural tradition after a humbling defeat during the War of the Pacific (1879–1883). But these years were also fraught with conflict generated by long-standing divisions and new rivalries. A postwar generation of intellectuals and artists, led by José Carlos Mariátegui and galvanized by left-wing thinking and an avant-garde aesthetic, sought representation in the fields of politics and the arts to realize the modernizing potentialities opened up by a Positivist oligarchy. New political and artistic conceptions raised their awareness of the fractured sense of nationhood in Peru and the need for a new project of nation-formation based on a common political and cultural consciousness. Crucially, this gave rise to divergent political and artistic positions and practices. Mariátegui’s Indigenist-Marxist politics and Modernist-inspired poetics, through his influential journal Amauta, were pivotal in revitalizing, conciliating and channeling those of his cohorts and challengers. Comprising six full-length chapters, a comprehensive introduction and conclusion, this monograph is ambitious in scope and depth. It provides fresh readings of key writings of Mariátegui, one of Latin America’s most important and revolutionary political, cultural and aesthetic theorists, through the lens of his poetics, emphasizing the value of this approach for a fuller understanding of his work’s political meaning and impact. It does so through detailed analysis of the poetic, expressive language employed in seminal political essays, aimed at forging a new Marxist position in 1920s Peru. Furthermore, it offers powerful and original critiques of under-studied intellectuals of this time, especially aprista-Futurists, Socialists and Indigenists, including female writers and artists such as Magda Portal, Ángela Ramos, and Julia Codesido whose work he championed. These readings are fully contextualized in terms of detailed critical study of complex sociopolitical conditions and positions, and biographical, intellectual backgrounds of Mariátegui and his contemporaries. This monograph underscores the fundamental importance of Mariátegui in the development of political and artistic practices and projects that shaped a national, shared, yet also heterogeneous, political culture and cultural tradition in Peru during and after his lifetime. Full Product DetailsAuthor: Melisa MoorePublisher: Bucknell University Press Imprint: Bucknell University Press Dimensions: Width: 16.10cm , Height: 2.40cm , Length: 23.60cm Weight: 0.531kg ISBN: 9781611484625ISBN 10: 1611484626 Pages: 272 Publication Date: 18 December 2013 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsAcknowledgments Introduction: Uncertain Beginnings-Modern Peruvian Realities in Permanent Formation One: Landscapes of Contradiction: Historical and Critical Perspectives of the oncenio Two: Brave New World: Transformative Perspectives in Mariategui's Politics and Poetics of Revolution Three: Tradition on Trial: Continuity and Change in the Peruvian Avant-Garde Movement Four: Fugitive Signs: Mapping Metaphors and Meaning in La casa de carton by Martin Adan Five: A New Conception: Formative Years of a Female Poetics Six: A Female Vanguard in Peru: Marginality and Mediation in the Early Poetry of Magda Portal Conclusion Works Cited Index About the AuthorReviewsAuthor InformationMelisa Moore is Senior Lecturer in Hispanic Studies at the University of Exeter in the UK, where she teaches Latin American literature, history and film. Tab Content 6Author Website:Countries AvailableAll regions |
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