Overview

"The Western is arguably the most popular and long-lived form in cinematic history, and the acknowledged master of that genre was John Ford. His Westerns, including ""The Searchers"", ""Stagecoach"", and ""The Man who Shot Liberty Valance"", have had an enormous influence on contemporary US filmmakers, and on everything from ""Star Wars"" to ""Taxi Driver"". In nine major essays from some of the most prominent scholars of Hollywood film, this book situates the sound era westerns of John Ford within contemporary critical contexts and regards them from fresh perspectives. These range from examining Ford's relation to other art forms (most notably literature, painting and music) to exploring the development of the director's public reputation as a director of Westerns. Articles also address the intricacies of Ford's shifting approach to storytelling and the subtle techniques whereby Ford's films guide spectator interpretation and emotional engagement. While giving attention to film style and structure, the volume also explores the ways in which these much loved films engage with notions of masculinity and gender roles, capitalism and community, as well as racial and sexual identity. Authors also examine how Ford's sound-era Westerns create a complex relationship to the genre's traditional project of ""defining and American nation"" and how they uphold up but also question popular culture depictions, of history and nationhood, to offer a commentary that engages with both the past, the present and the future. In addition to new scholarship, the volume also offers a dossier section of out of the way magazine articles that illuminate the issues raised by essays, including the director's tribute to John Wayne as well as a moving post-humus appraisal of the director published by the Director's Guild of America."

Full Product Details

Author:   Studlar,Gaylyn ,  Bernstein,Matthew
Publisher:   Indiana University Press
Imprint:   Indiana University Press
Dimensions:   Width: 16.30cm , Height: 2.70cm , Length: 24.10cm
Weight:   0.689kg
ISBN:  

9780253337986

ISBN 10:   0253337984
Pages:   344
Publication Date:   01 January 2001
Audience:   Professional and scholarly ,  Professional & Vocational
Replaced By:   9780253214140
Format:   Hardback
Publisher's Status:   Out of Print
Availability:   Out of stock  

Table of Contents

Introduction Gaylyn Studlar & Matthew Bernstein Part I 1. 'Shall We Gather at the River?': The Late Films of John Ford, Robin Wood 2. Sacred Duties, Poetic Passions: John Ford and Issue of Femininity in the Western Gaylyn Studlar 3. The Margin as Center: The Multicultural Dynamics of John Ford's Westerns Charles Ramirez Berg 4. Linear Patterns and Ethnic Encounters in the Ford Western Joan Dagle 5. How the West Wasn't Won: the Repression of Capitalism in John Ford's Westerns Peter Lehman 6. Painting the Legend: Frederic Remington and the Western Edward Buscombe 7. 'The Sound of Many Voices': Music in John Ford's Westerns Kathryn Kalinak 8. John Ford and James Fenimore Cooper: Two Rode Together Barry Keith Grant 9. From Aesthete to Pappy: The Evolution of John Ford's Public Reputation Charles J. Maland Part II-Dossier Emanuel Eisenberg, John Ford: Fighting Irish, New Theater, April 1936 Frank S. Nugent, Hollywood's Favorite Rebel, Saturday Evening Post, July 23, 1949 John Ford, John Wayne--My Pal, Hollywood, no. 237 (March 17, 1951), translated from the Italian by Gloria Monti Bill Libby, The Old Wrangler Rides Again, Cosmopolitan, March 1964 About John Ford, Action 8.8 (Nov.-Dec. 1973) Filmography Selected Bibliography Contributors Index

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