Japanese Fashion: A Cultural History

Author:   Toby Slade
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781847882530


Pages:   192
Publication Date:   01 November 2009
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Japanese Fashion: A Cultural History


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Overview

Japanese Fashion examines the entire sweep of Japanese clothing history, from the sophisticated fashion systems of late-Edo period kimonos to the present day, providing possible theories of how Japan made this fashion journey and linking current theories of fashion to the Japanese example. The book is unique in that it provides the first full history of the last 200 years of Japanese clothing. It is also the first book to include Asian fashion as part of global fashion as well as fashion theory. It adds a hitherto absent continuity to the understanding of historical and current fashion in Japan, and is pioneering in offering possible theories to account for that entire history. By providing an analysis of how that entire history changes our understanding of the way fashion works, this book will be an essential text for all students of fashion and design.

Full Product Details

Author:   Toby Slade
Publisher:   Bloomsbury Publishing PLC
Imprint:   Berg Publishers
Dimensions:   Width: 15.60cm , Height: 1.40cm , Length: 23.40cm
Weight:   0.485kg
ISBN:  

9781847882530


ISBN 10:   1847882536
Pages:   192
Publication Date:   01 November 2009
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1. Introduction: Modernity, Fashion and Japan Modernity and Modernity in Clothing Global Fashion and National Cultures Japan 2. Japanese Clothes 1800-2000 Clothing in the Edo Period Nakedness and Covering It Decency Foundation Choices: Yoga and Nihonga Materials and Materialism 'Westernisation' and Japanese Fashion Textile Industrialisation The Democratisation of Consumption World War II The Rise of Designers Today's Subcultures 3. Japanese Menswear: Masculinity and Sartorial Statecraft Uniforms and the State: The Emperor's New Clothes Suits: Modern and Classic Masculinity The Suit in Europe and America The Growing Civilised Centre The Japanese Suit The Rokumeikan Modern Boys Possible Masculinities post 2000 4. Japanese Womenswear: Femininity and Modernity Traditional Notions of Sartorial Womanhood Meiji Girl Students and School Uniforms Taisho Decadence and the Moga Sportswear, Swimwear & Movement Cosmetics and Substance Hairstyles: The First Experiments Kimono Reform and Traditional Identity Feminine Formality and Time 1960s Counter Culture in Japan Japanese Femininity Today 5. Conclusions: Theories of Japanese Fashion The Economics of Aesthetics A Set of Reoccurring Questions Functional Explanations Fashion as the Search for Meaning and/or Identity Fashion and the Struggle for Status The Economics of Fashion Fashion as Communication Dynamic Explanations of Fashion Fashion as Diffusion Cycles of Fashion Fashion as Erotic Fashion and the Zeitgeist Fashion as Aesthetics Acknowledgements Bibliography

Reviews

Slade sets himself very ambitious targets in Japanese Fashion: A Cultural History, an analytical survey of a whole clothing culture, which he successfully meets. Dr. Slade is an imaginative historian who has the ability to synthesize a wide range of sources, ranging from the offical record to the ephemeral and teh vernacular. Peter McNeil, Fashion Theory: Volume 14, Issue 4


Slade sets himself very ambitious targets in Japanese Fashion: A Cultural History, an analytical survey of a whole clothing culture, which he successfully meets. Dr. Slade is an imaginative historian who has the ability to synthesize a wide range of sources, ranging from the offical record to the ephemeral and teh vernacular. * Peter McNeil, Fashion Theory: Volume 14, Issue 4 *


Author Information

Toby Slade has a Ph.D. in Art History and Theory from Sydney University, where his main area of research was Japanese fashion. He has taught fashion history at the University of Technology Sydney and is currently lecturing in fashion theory at Keio University in Tokyo.

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