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OverviewItalian graphic design offers a new perspective on the subject by exploring the emergence and articulation of graphic design practice, from the interwar period through to the appearance of an international graphic design discourse in the 1960s. The book asks how graphic designers learned their trade and investigates the ways in which they organised and made their practice visible while negotiating their collective identity with neighbouring practices such as typography, advertising and industrial design. Attention is drawn to everyday design practice, educational issues, mediating channels, networks, design exchange, organisational strategies and discourses on modernism. Drawing on a wide range of primary sources and placing an emphasis on visual analysis, this book provides a model for a contextualised graphic design history as an integral part of the history of design and visual culture. Full Product DetailsAuthor: Chiara BarbieriPublisher: Manchester University Press Imprint: Manchester University Press Dimensions: Width: 17.00cm , Height: 2.20cm , Length: 24.00cm Weight: 0.788kg ISBN: 9781526151131ISBN 10: 1526151138 Pages: 272 Publication Date: 23 July 2024 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction: drafting Italian graphic design 1 Vocational education and the typographic roots of graphic design 2 Open Studio (Boggeri) 3 Graphic design and good taste at the Milan Triennale 4 Education and practice, working hand in hand 5 The multiple identities of graphic design Conclusion: redrafting Italian graphic design Bibliography Index -- .ReviewsAuthor InformationChiara Barbieri is a Researcher in Design History at University of Art and Design Lausanne (HESSO) and University of Applied Sciences and Arts of Southern Switzerland. Tab Content 6Author Website:Countries AvailableAll regions |
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