Italian Graphic Design: Culture and Practice in Milan, 1930s-60s

Author:   Chiara Barbieri
Publisher:   Manchester University Press
ISBN:  

9781526194763


Pages:   272
Publication Date:   20 January 2026
Format:   Paperback
Availability:   Not yet available, will be POD   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon it's release. This is a print on demand item which is still yet to be released.

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Italian Graphic Design: Culture and Practice in Milan, 1930s-60s


Overview

Italian graphic design offers a new perspective on the subject by exploring the emergence and articulation of graphic design practice, from the interwar period through to the appearance of an international graphic design discourse in the 1960s. The book asks how graphic designers learned their trade and investigates the ways in which they organised and made their practice visible while negotiating their collective identity with neighbouring practices such as typography, advertising and industrial design. Attention is drawn to everyday design practice, educational issues, mediating channels, networks, design exchange, organisational strategies and discourses on modernism. Drawing on a wide range of primary sources and placing an emphasis on visual analysis, this book provides a model for a contextualised graphic design history as an integral part of the history of design and visual culture.

Full Product Details

Author:   Chiara Barbieri
Publisher:   Manchester University Press
Imprint:   Manchester University Press
Dimensions:   Width: 17.00cm , Height: 1.50cm , Length: 24.00cm
Weight:   0.440kg
ISBN:  

9781526194763


ISBN 10:   1526194767
Pages:   272
Publication Date:   20 January 2026
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Not yet available, will be POD   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon it's release. This is a print on demand item which is still yet to be released.

Table of Contents

Introduction: drafting Italian graphic design 1 Vocational education and the typographic roots of graphic design 2 Open Studio (Boggeri) 3 Graphic design and good taste at the Milan Triennale 4 Education and practice, working hand in hand 5 The multiple identities of graphic design Conclusion: redrafting Italian graphic design Bibliography Index -- .

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Author Information

Chiara Barbieri is a Researcher in Design History at University of Art and Design Lausanne (HESSO) and University of Applied Sciences and Arts of Southern Switzerland.

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