Is Harpo Free?: And Other Questions of the Metaphysical Screen

Author:   Matthew Cipa
Publisher:   State University of New York Press
ISBN:  

9781438497358


Pages:   266
Publication Date:   01 April 2024
Format:   Hardback
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

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Is Harpo Free?: And Other Questions of the Metaphysical Screen


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Overview

Is Harpo Free? is a lively appreciation of film and television's ability to artistically explore concepts typical of philosophical metaphysics, such as free will, causality, and personal identity. Rather than using films and television programs as vehicles for philosophical arguments, the book instead celebrates the artistic ways in which they give life to various metaphysical concepts and how the artistic expression of these concepts and ideas helps us understand ourselves, the world, and our place within it. Through close analysis of a varied selection of works and their use of narrative, form, and style, Is Harpo Free? exemplifies a novel approach to appreciating the philosophical substance of films and television programs. Films and television programs discussed include A Night at the Opera; Run, Lola, Run; Shane; Harvey; Three Colours: Blue; The Americans; Dark; and Fargo.

Full Product Details

Author:   Matthew Cipa
Publisher:   State University of New York Press
Imprint:   State University of New York Press
Dimensions:   Width: 15.20cm , Height: 2.50cm , Length: 22.90cm
Weight:   0.227kg
ISBN:  

9781438497358


ISBN 10:   1438497350
Pages:   266
Publication Date:   01 April 2024
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

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Reviews

"""This book is an excellent introduction to metaphysical concepts in and of film, and both the clarity with which they are expressed and the deftness with which they are applied make it a very rewarding read. Cipa stretches our understanding and renews our appetite for thinking about cinema and television."" — Daniel Varndell, University of Winchester ""Many colleges and graduate programs have courses in film theory, but this book is a rarity these days in that its themes are ideas so universal, and so deep, that it has a fair chance of finding an audience among nonspecialists. All it really requires of the reader is a love of film and television."" — William Rothman, University of Miami"


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