Overview

A thorough account of the engagements with the Gothic mode by Irish artists from the eighteenth century to today. Challenging conventional conceptualisations and understandings of 'the Irish Gothic', the collection advances new critical perspectives and embodies the latest thinking and research in this area In its attention to a cross-generic selection of literary and cultural forms from the late eighteenth-century to today, the collection probes and expands the body of texts traditionally associated with Irish Gothic cultural production and, in so doing, offers the most expansive and comprehensive overview of the subject to date Presenting cutting-edge approaches to Irish Gothic, while summarising the critical discourse that has shaped and continues to shape the field, the collection provides a useful and accessible research tool for established researchers as well as undergraduate and postgraduate students Irish Gothic: An Edinburgh Companion provides a comprehensive account of the extent to which Gothic can be traced in Irish cultural life from the eighteenth to the twenty-first century, across both elite and popular genres, and through a range of different media, including literature, cinema, and folklore. It responds, in particular, to the understanding that Gothic is ubiquitous in Irish literature. Rather than focus specifically or exclusively on the oft-studied Irish Gothic foursome Charles Maturin, Sheridan Le Fanu, Oscar Wilde, and Bram Stoker this companion turns attention to overlooked 'minor' figures such as Regina Maria Roche, Stephen Cullen, and Anne Fuller. At the same time, it considers the multi-generic nature of Irish Gothic, thinking beyond fiction and, in particular, the novel, as the Gothic genre par excellence. The collection thus affords fresh perspectives on Irish Gothic and its pervasiveness in Irish culture from the eighteenth century to today.

Full Product Details

9781399500555

Table of Contents

Reviews

"""This outstanding collection fulfils the urgent need for a throughgoing reconsideration of the Irish gothic across genres, genders, periods, and confessional communities. Not only have the editors radically and expansively redefined the Irish gothic, but by resituating the gothic in relation to Irish and British literary history, they have productively redefined the genre itself. Irish Gothic: An Edinburgh Companion represents an authoritative departure that simultaneously offers a broad account of the scholarship that heretofore defined the field."" -Margot Backus, University of Houston"

Author Information

Jarlath Killeen is a Lecturer in Victorian Literature in the School of English, Trinity College Dublin. He has published extensively on Irish gothic fiction, including Gothic Ireland (2005), and The Emergence of Irish Gothic Fiction (Edinburgh University Press, 2013). His most recent monograph is Imagining the Irish Child: Discourses of Childhood in Irish Anglican Writing of the Seventeenth and Eighteenth Centuries (2023).Christina Morin is a Senior Lecturer in English and Assistant Dean of Research in the Faculty of Arts, Humanities, and Social Sciences at the University of Limerick. She is the author of The Gothic Novel in Ireland, c. 1760 1829 (2018) and Charles Robert Maturin and the Haunting of Irish Romantic Fiction (2011). She is co-editor of Traveling Irishness in the Long Nineteenth Century (with Margu rite Corporaal, 2017) and Irish Gothics: Genres, Forms, Modes and Traditions (with Niall Gillespie, 2014). She is currently editing, with Ellen Scheible, a special issue of the Irish University Review on 'Irish Gothic Studies Today'.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available