Overview

This book asks how English authors of the early to mid twentieth-century responded to the nationalist revolution in neighbouring Ireland in their work, and explores this response as an expression of anxieties about, and aspirations within, England itself. Drawing predominantly on novels of this period, but also on letters, travelogues, literary criticism, and memoir, it illustrates how Irish affairs provided a marginal but pervasive point of reference for a wide range of canonical authors in England, including Wyndham Lewis, Virginia Woolf, D.H. Lawrence, Graham Greene, and Evelyn Waugh, and also for many lesser-known figures such as Ethel Mannin, George Thomson, and T.H. White. The book surveys these and other incidental writers within the broad framework of literary modernism, an arc seen to run in temporal parallel to Ireland's revolutionary trajectory from rebellion to independence. In this context, it addresses two distinct aspects of the Irish-English relationship as it features in the literature of the time: first, the uneasy recognition of a fundamental similarity between the two countries in terms of their potential for violent revolutionary instability, and second, the proleptic engagement of Irish events to prefigure, imaginatively, the potential course of England's evolution from the Armistice to the Second World War. Tracing these effects, this book offers a topical renegotiation of the connections between Irish and English literary culture, nationalism, and political ideology, together with a new perspective on the Irish sources engaged by English literary modernism.

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9780198869160

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Reviews

Ireland, Revolution and the English Modernist Imagination is a fascinating and engaging read. Patten explores and exposes the contradictory position of the Irish in English modernist literature as at once both peripheral and central. * Irish Times *

Ireland, Revolution and the English Modernist Imagination is a fascinating and engaging read. Patten explores and exposes the contradictory position of the Irish in English modernist literature as at once both peripheral and central. * Irish Times * ...Acutely observed study of a topic long overdue critical treatment, English literary responses to the Irish revolution and cultural revival. Written with stylistic brio and drawing on extensive research in primary, secondary, and archival sources. * Luke Gibbons, Dublin Review of Books * In this engaging, impeccably researched, and well-written book, Eve Patten recalibrates our critical vision to consider how Ireland has been imagined by English modernists to address the state of England and to push their own country, variously, in more liberal and more conservative directions. * Brad Kent, Canadian Journal of Irish Studies 45: 1 * Those working in both Irish studies and in Anglo-American modernism more broadly will find much to appreciate, then, in this compelling, well-researched, and engagingly written work. * Paul Stasi, Studies in the Novel * Patten's argument has an accumulative force, making a convincing case for how certain English modernists engaged with and depicted Ireland in their fiction to express their hopes for their own country, thereby producing a book that should be of interest to those working in both Irish and Modernist Studies. * Brad Kent, Université Laval * Compelling for its innovative research, impressive scope and analytical richness, this illuminating book will certainly seed other studies.... [...]... It is much to the credit of Patten's resonant work that it testifies to the importance of reading Irish, English, and imperial literatures in the modernist era not as separate cordoned off domains but in prismatic relationship to each other. * Joe Cleary, Irish University Review, 53.2 *

Author Information

Eve Patten is Professor in the School of English at Trinity College, Dublin. A graduate of Oxford University, she worked for the British Council in Eastern Europe before taking up a lectureship at Trinity in the mid-1990s. She has published widely on Irish and British writing of the modern period, and teaches on nineteenth-century realist fiction, the modern English novel, and Irish cultural and literary history. She was made a Fellow of Trinity College Dublin in 2006, and in 2020 she was appointed as Director of the Trinity Long Room Hub Arts and Humanities Research Institute.

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