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OverviewThe volume offers a broad range of academic approaches to contemporary and historical Irish filmmaking and representations of nationality, national identity, and theoretical questions around the construction of Ireland and Irishness on the screen. Full Product DetailsAuthor: Barry MonahanPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Edition: 1st ed. 2015 Weight: 0.454kg ISBN: 9781349564101ISBN 10: 1349564109 Pages: 216 Publication Date: 14 February 2018 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsNotes on Contributors Foreword; Martin McLoone Introduction; Barry Monahan PART I: POLITICS OF HOME, SPACE AND PLACE 1. ' 'Nothin ' ' But a Wee Humble Cottage ' ': At Home in Irish Cinema; Conn Holohan 2. Gangland Geometries: Space, Mobility and Transgression in the Veronica Guerin Films; Jenny Knell 3. ' 'Don ' 't Use Your Own Accents! ' ': Representations of Dublin ' 's Accents in Contemporary Film; Nicholas O ' 'Riordan 4. Beyond Horror: Surviving Abuse in Carmel Winters ' ' Snap; Kathleen Vejvoda PART II: IDENTITIES OF GENDER AND STARDOM 5. Black and White and Green All Over? Emergent Irish Female Stardom in Contemporary Popular Cinemas; Ciara Barrett 6. Transcending Parochial Borders? Jonathan Rhys Meyers is Henry VIII; Liz Carville 7. Old and New Irish Ethnics: Exploring Ethnic and Gender Representation in P.S. I Love You; Silvia Dibeltulo 8. Mediating between His & Hers: An Exploration of Gender Representations and Self-Representations; Patricia Neville PART III: NORTHERN IRELAND 9. From Belfast to Bamako: Cinema in the Era of Capitalist Realism; Stephen Baker and Greg McLaughlin 10. ' 'Many Sides, Many Truths ' ': Collaborative Filmmaking in Transitional Northern Ireland; Laura Aguiar 11. The Suffering Male Body in Steve McQueen ' 's Hunger; Raita Merivirta 12. Mickybo and Me: A Cinematographic Adaptation for an International Audience; Brigitte Bastiat PART IV: OVERSEAS PERSPECTIVES 13. Singing in the Rain: The Irish-Themed Film Musical and Schlager ' 's Hibernian Moment; Fergal Lenehan 14. Irish Cinema: a French Perspective; Isabelle Le Corff 15. Is Adaptation an Act of Transformation? J.B. Keane ' 's The Field on Screen; Noélia Borges 16. Irish Cinema in Italy: the Roma Irish Film Festa; Ciara Chambers and Barry Monahan Bibliography Filmography IndexReviews'Ireland and Cinema offers the reader a diverse and methodologically-rich collection of essays on the state of Irish cinema today. With chapters on gender, stardom, the city, post-Troubles Northern Ireland, documentaries, genres and festivals, this is the perfect resource for teachers, researchers and students. It sets down a marker for further writing in the discipline and is a model for National Cinema studies.' - Dr Ruth Barton, Department of Film, Trinity College Dublin 'Ireland and Cinema animates a wide-ranging and stimulating set of contemporary views, a timely volume working with a plurality of films that circulate within its boundaries. Of course in creating a space for contention there will be the inclusion of many arguable or disputable viewpoints, but they are an indispensable part of a dynamic discursive context. This is where creative and critical analysis has the potential to feed into politics and policy, and even practice.' - Professor Rod Stoneman, Huston School of Film and Visual Media, NUI Galway 'Ireland and Cinema offers the reader a diverse and methodologically-rich collection of essays on the state of Irish cinema today. With chapters on gender, stardom, the city, post-Troubles Northern Ireland, documentaries, genres and festivals, this is the perfect resource for teachers, researchers and students. It sets down a marker for further writing in the discipline and is a model for National Cinema studies.' - Dr Ruth Barton, Department of Film, Trinity College Dublin 'Ireland and Cinema animates a wide-ranging and stimulating set of contemporary views, a timely volume working with a plurality of films that circulate within its boundaries. Of course in creating a space for contention there will be the inclusion of many arguable or disputable viewpoints, but they are an indispensable part of a dynamic discursive context. This is where creative and critical analysis has the potential to feed into politics and policy, and even practice.' - Professor Rod Stoneman, Huston School of Film and Visual Media, NUI Galway Author InformationLaura Aguiar, University College Cork, Ireland Stephen Baker, Ulster University, UK Ciara Barrett, Trinity College Dublin, Ireland Brigitte Bastiat, University of La Rochelle, France Noélia Borges, Federal University of Bahia, Brazil Liz Carville, NUI Maynooth, Ireland Ciara Chambers, Ulster University, UK Silvia Dibeltulo, Oxford Brookes University, UK Conn Holohan, NUI Galway, Ireland Jenny Knell, University College Dublin, Ireland Isabelle Le Corff, Université de Bretagne Occidentale, France Fergal Lenehan, Friedrich Schiller University, Germany Greg McLaughlin, Ulster University, UK Martin McLoone, Ulster University, UK Raita Merivirta, University of Turku, Finland Barry Monahan, University College Cork, Ireland Patricia Neville, University of Bristol, UK Nicholas O'Riordan, University College Cork, Ireland Kathleen Vejvoda, Bridgewater State University, USA Tab Content 6Author Website:Countries AvailableAll regions |
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