Free Delivery Over $100
|
|
|||
|
||||
OverviewFull Product DetailsAuthor: Paul Taberham , Catalina IricinschiPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.460kg ISBN: 9781032055206ISBN 10: 1032055200 Pages: 302 Publication Date: 29 August 2023 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction Catalina Iricinschi and Paul Taberham1. Dimensions of Narrative Paul TaberhamPART I: Convention, Deviation, Evolution2. Enjoying Classical Hollywood Storytelling Todd Berliner3. Independent Cinema Geoff King4. Interview: David Greenberg 5. Complex Film Narratives: Diegetic Fictionalization in Christopher Nolan’s Fantastical Puzzle Film Cycle Miklós KissPART II: Art Cinema6. Realism, Time and Ambiguity: Narration in Art Cinema Paul Taberham7. Interview: Ioana Uricaru 8. Pseudo-Narration in Jean-Luc Godard’s Late Films András Kovács 9. Defining a Lynchian Narrative Neil McCartneyPART III: Alternative Media10. Television Narrative: Forms, Strategies, and Histories Sean O’Sullivan and Robyn Warhol11. The Way Toons Tell It: Animation’s Narrative Strategies Christopher Holliday12. Interview: Josh Weinstein 13. Video Game Narrative: Concepts and Practices for Structuring and Infusing Story in Games Dominic Arsenault14. Interview: Evan Skolnick 15. Transmedia Storyworlds and Transmedia Universes Jan-Noël ThonPART IV: New Perspectives16. Two Philosophies of the Screenplay Enrico Terrone17. The Absorbed Viewer’s Activity Ed Tan and Katalin Bálint18. The Cognition of Event Segmentation in Film Narrative: Segmenting, Parsing, and the Ensuing Narrative Comprehension Catalina IricinschiReviewsAuthor InformationPaul Taberham is Associate Professor in Film and Animation Studies at the Arts University Bournemouth, UK. He is the author of Lessons in Perception: The Avant-Garde Filmmaker as Practical Psychologist (Berghahn, 2018) and the forthcoming Animated Visions: Theory, History and Aesthetics (Berghahn, 2024). He is also the co-editor of Cognitive Media Theory (Routledge, 2014) with Ted Nannicelli, and Experimental Animation: From Analogue to Digital (Routledge, 2019) with Miriam Harris and Lilly Husbands. Paul is a fellow of the Society of Cognitive Studies of the Moving Image, and on the editorial board for Animation: An Interdisciplinary Journal. Catalina Iricinschi is Visiting Assistant Professor of Psychology at Franklin & Marshall College. Research interests include event segmentation in film narrative, eye tracking in narrative processing, narrative of belonging and displacement, place and space depiction in film narrative, and Romanian cinema. She has published in journals such as Cognitive Science, Projections: The Journal for Movie and Mind, I-Perception, along with the edited anthologies Space in Language and the forthcoming Narrative, Media and Cognition. Tab Content 6Author Website:Countries AvailableAll regions |
||||
