Instrument of the State: A Century of Music in Louisiana's Angola Prison

Author:   Benjamin J. Harbert (Associate Professor of Music and Chair of the Performing Arts Department, Associate Professor of Music and Chair of the Performing Arts Department, Georgetown University)
Publisher:   Oxford University Press Inc
ISBN:  

9780197517505


Pages:   360
Publication Date:   28 July 2023
Format:   Hardback
Availability:   To order   Availability explained
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Instrument of the State: A Century of Music in Louisiana's Angola Prison


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Overview

"Louisiana State Penitentiary is one of the largest and most brutal maximum-security prisons in the United States. Built on the grounds of a former plantation, the prison is commonly referred to as ""Angola"" apropos of the country of origin for many of the enslaved people who inhabited the land. Despite notoriously inhumane conditions within the prison, people incarcerated at Angola have sustained a rich and dynamic musical legacy since the late nineteenth century, attracting folklorists such as John and Alan Lomax and Harry Oster. Well-known musicians including Huddie William ""Lead Belly"" Ledbetter, Charles Neville, and James Booker played a part in this history, in addition to a litany of others who proved vital to the prison's musical culture but for various reasons were unable to establish their careers upon release. In Instrument of the State, author Benjamin J. Harbert interweaves oral history and archival research to show how incarcerated musicians find small but essential freedoms by performing jazz, R&B, country, gospel, rock, and fusion throughout the Twentieth Century. In doing so, he expands folkloric definitions of ""prison music."" considering the ways in which music manifests among the incarcerated and the prison's administration as a lens to better understand state power and the fragments of hope and joy that remain in its wake. Instrument of the State acts as an indictment of the carceral state, highlighting the many ways in which the US penal system disproportionately affects African American people through desperate profiteering of a deliberately underfunded state agency."

Full Product Details

Author:   Benjamin J. Harbert (Associate Professor of Music and Chair of the Performing Arts Department, Associate Professor of Music and Chair of the Performing Arts Department, Georgetown University)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 16.30cm , Height: 2.30cm , Length: 24.40cm
Weight:   0.660kg
ISBN:  

9780197517505


ISBN 10:   0197517501
Pages:   360
Publication Date:   28 July 2023
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Forewords by Calvin Lewis, Myron Hodges, and Wayne Kramer List of Figures Note to the reader Introduction The Book as a Multi-Movement Musical Piece Uncovering Histories The Musicality of Prison A Brief Overview of Louisiana Behind Bars 1. Astonishment 2. Association 3. Politics 4. Surfaces 5. Inflection 6. Recapitulation Notes Bibliography Index

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Author Information

Benjamin J. Harbert is Associate Professor of Music and Chair of the Performing Arts Department at Georgetown University. He is the author of American Music Documentary: Five Case Studies of Ciné-Ethnomusicology, director of the documentary Follow Me Down: Portraits of Louisiana Prison Musicians, and a co-editor of The Arab Avant Garde: Music, Politics, Modernity.

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