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OverviewFull Product DetailsAuthor: Fay Blanchard , Anthony Spira , Gilane Tawadros (Stuart Hall Foundation, London, UK) , Anna Arabindan-Kesson (Princeton University)Publisher: Philip Wilson Publishers Ltd Imprint: Philip Wilson Publishers Ltd Weight: 0.739kg ISBN: 9781781301197ISBN 10: 1781301190 Pages: 192 Publication Date: 17 March 2022 Audience: General/trade , Professional and scholarly , General , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsCarbon Slowly Turning: An Introduction - Anthony Spira and Clarrie Wallis At the End of Black Boy Lane: Paul Gilroy Seventeen of Sixty Eight Seaside Series Pastoral Interlude Landscape Interrupted: Anna Arabindan-Kesson The Boy Who Watches Ships Go By The Cost of the English Landscape Bursting Stone Unruly: Mason Leaver-Yap Contenders Deny: Imagine: Attack Bow Down and Very Low - 123 Materials and Practices: Cheryl Finley Landscape Trauma There Was Much Interruption Self Evident Carbon Slowly Turning: Gilane Tawadros The Valentine Days I & II Emancipation Day Performers & Portraits Image CreditsReviewsIngrid Pollard’s work slows down our looking to create space to consider alternative formations of history and landscape. Across four decades she has re-scripted Britishness, looking back in order that we might move forward differently. This is a profound and timely exploration of this vital British artist. * Maria Balshaw, Director, Tate * a new book that gives a stunning overview of artist and photographer Ingrid Pollard’s practice [...] the creatively we have witnessed in this brilliant book is both shared and contagious. * Glasgow Women’s Library * Ingrid Pollard's work slows down our looking to create space to consider alternative formations of history and landscape. Across four decades she has re-scripted Britishness, looking back in order that we might move forward differently. This is a profound and timely exploration of this vital British artist. * Maria Balshaw, Director, Tate * Ingrid Pollard's work slows down our looking to create space to consider alternative formations of history and landscape. Across four decades she has re-scripted Britishness, looking back in order that we might move forward differently. This is a profound and timely exploration of this vital British artist. * Maria Balshaw, Director, Tate * a new book that gives a stunning overview of artist and photographer Ingrid Pollard's practice [...] the creatively we have witnessed in this brilliant book is both shared and contagious. * Glasgow Women's Library * Author InformationFay Blanchard is Head of Exhibitions at MK Gallery. Prior to joining MK Gallery in 2017 Fay worked as Curator, Visual Arts with the British Council (2013-17) curating and managing international exhibitions including: ‘Michael Landy Saints Alive’ (2014-15, Antiguo Colegio de San Ildefonso, Mexico City), ‘Private Utopia: Contemporary Art from Britain’ (2014-15 Japan),‘Grayson Perry: The Vanity of Small Differences’(2016-17 Western Balkans tour) as well as delivering international curatorial professional development resulting in co-curated group exhibitions in Uzbekistan and Saudi Arabia. Gilane Tawadros was the founding Director of the Institute of International Visual Arts (Iniva) in London, chaired by Professor Stuart Hall. She has spent her career in the visual arts both curating numerous exhibitions and writing extensively on contemporary art. Tawadros is a Trustee and Vice-Chair of the Stuart Hall Foundation, Trustee of the Stuart Croft Foundation, member of the Whitechapel Art Gallery Editorial Board and serves on the Board of European Visual Arts (EVA) and on the Intellectual Property Office's (IPO) Copyright Advisory Panel. Anna Arabindan-Kesson is an Assistant Professor of African American and Black Diasporic art at Princeton University. She specialises in African American, Caribbean, and British Art, with an emphasis on histories of race, empire, and transatlantic visual culture. Her research focuses on processes of cultural exchange and geographical movement, underpinned by histories of colonialism, and the legacies of these encounters in contemporary art practice. Prior to her appointment at Princeton in 2015 she was Assistant Professor of American Art at Temple University, Philadelphia, and Teaching Fellow at Yale. She has presented papers on Pollard’s work at conferences at Yale, University of Sydney, NYU, and University of Central Lancashire. Paul Gilroy is a historian, writer and cultural theorist and the founding Director of the Centre for the Study of Race and Racism at UCL (2019). Prior to UCL, he taught at South Bank University, Essex University, Goldsmiths, University of London, Yale University, London School of Economics and King's College London. Gilroy is the 2019 winner of the Holberg Prize. He is known for his influential studies on black cultural expression on both sides of the Atlantic; the cultural history of postcolonial societies; and the sociology of ethnicity, race and racism in Britain. Mason Leaver-Yap is currently an Associate Curator at KW Institute for Contemporary Art in Berlin and the co-founder of LUX Scotland, an artist’s moving image distribution agency. From 2014-2017 they created and produced the Walker Moving Image Commissions at the Walker Art Center in Minneapolis. Leaver-Yap served as selector and jury for the Turner Prize in 2017 and presented public projects at the Institute of Contemporary Arts in London from 2007 to 2009. They have recently worked on projects with artists including Ingrid Pollard, Renée Green and Free Agent Media, Onyeka Igwe, Lin+Lam, Evan Ifekoya, Sunil Gupta and the Estate of Tessa Boffin, Sharon Hayes and Mathew Parkin, Iman Issa, Rachel O’Reilly, Andrea Büttner, Kat Anderson, Jamie Crewe, Beatrice Gibson with CAConrad and Eileen Myles. Cheryl Finley is Associate Professor of Art History at Cornell University. She holds a Ph.D. in African American Studies and History of Art from Yale University. An art historian, curator and contemporary art critic, Dr. Finley has contributed essays and reviews to Aperture, Nka: Journal of Contemporary African Art, American Quarterly and Art Forum. Her prolific critical attention to photography has produced the co-authored publications Teenie Harris, Photographer: An American Story (Carnegie Museum of Art, 2011), Harlem: A Century in Images (Skira Rizzoli, 2010), Diaspora, Memory, Place (Prestel, 2008), and numerous catalogue essays and journal articles on artists such as Lorna Simpson, Hank Willis Thomas, Walker Evans, Joy Gregory, Carrie Mae Weems, Roshini Kempadoo, Deborah Willis and Berenice Abbott. Tab Content 6Author Website:Countries AvailableAll regions |
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