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OverviewMoving image culture seems to privilege the instantly identifiable: the recognisable face, the well-timed stunt, the perfectly synchronised line of dialogue. Yet perfect, in-focus visibility does not come naturally to the moving image. Pursuing a range of approaches (from aesthetics to phenomenology to production studies), the authors in this volume actively explore moving images in states of decay, distortion, indistinctness and fragmentation, while drawing upon key theoretical themes including affect, embodiment, visual signification and'legibility'. Full Product DetailsAuthor: Martine Beugnet , Allan Cameron , Arild FetveitPublisher: Edinburgh University Press Imprint: Edinburgh University Press ISBN: 9781474407144ISBN 10: 1474407145 Pages: 240 Publication Date: 30 November 2017 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Undefined Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAuthor InformationMartine Beugnet is Professor in Visual Studies at the University of Paris 7 Diderot. Allan Cameron is Senior Lecturer in Media and Communication at the University of Auckland.Arild Fetveit is Associate Professor in the Department for Media, Cognition and Communication, University of Copenhagen. Tab Content 6Author Website:Countries AvailableAll regions |