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OverviewIn this highly original study of the nature of performance, Spencer Golub uses the insights of Ludwig Wittgenstein into the way language works to analyse the relationship between the linguistic and the visual in the work of a broad range of dramatists, novelists, and filmmakers, among them Richard Foreman, Mac Wellman, Peter Handke, David Mamet, and Alfred Hitchcock. Like Wittgenstein, these artists are concerned with the limits of language’s representational capacity. For Golub, it is these limits that give Wittgenstein’s thought a further, very personal significance its therapeutic quality with respect to the Obsessive Compulsive Disorder from which he suffers. Underlying what Golub calls “performance behaviour” is Wittgenstein’s notion of “pain behaviour” that which gives public expression to private experience. Golub charts new directions for exploring the relationship between theatre and philosophy, and even for scholarly criticism itself. Full Product DetailsAuthor: Spencer GolubPublisher: Northwestern University Press Imprint: Northwestern University Press Dimensions: Width: 15.20cm , Height: 2.50cm , Length: 22.90cm Weight: 0.533kg ISBN: 9780810129924ISBN 10: 0810129922 Pages: 284 Publication Date: 30 July 2014 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: In stock We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsAuthor InformationSpencer Golub , a professor of theatre arts and performance studies, Slavic languages, and comparative literature at Brown University, is the author of Infinity (Stage) (1999), The Recurrence of Fate: Theatre and Memory in Twentieth-Century Russia (1994), and Evreinov: The Theatre of Paradox and Transformation (1984). Tab Content 6Author Website:Countries AvailableAll regions |