Overview

Learn more at www.luminosoa.org. Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman’s guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic Brahmin masculinity in everyday village life. However, the power of the Brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries—village to urban, Brahmin to non-Brahmin, hegemonic to non-normative—to explore the artifice of Brahmin masculinity in contemporary South Indian dance. 

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9780520301665

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"""In her excellent analysis of the arrival of the Indian classical dance Kuchipudi on the transnational stage, Kamath charts transformations in Kuchipudi narrative and performance. . . .Kamath cogently articulates these subversive possibilities through ideas of impersonation. Her work adds to the growing body of scholarly work on classical Indian dances that re-examines the cultural and gender politics of classicism as these forms are nationalized and globalized, and, in the current climate, increasingly integrated with the politics of Hindutva."" * Journal of the Royal Anthropological Institute *"

In her excellent analysis of the arrival of the Indian classical dance Kuchipudi on the transnational stage, Kamath charts transformations in Kuchipudi narrative and performance. . . .Kamath cogently articulates these subversive possibilities through ideas of impersonation. Her work adds to the growing body of scholarly work on classical Indian dances that re-examines the cultural and gender politics of classicism as these forms are nationalized and globalized, and, in the current climate, increasingly integrated with the politics of Hindutva. * Journal of the Royal Anthropological Institute *

Author Information

Harshita Mruthinti Kamath is Visweswara Rao and Sita Koppaka Assistant Professor in Telugu Culture, Literature and History at Emory University.  

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