Immediations: The Humanitarian Impulse in Documentary

Author:   Pooja Rangan
Publisher:   Duke University Press
ISBN:  

9780822363552


Pages:   264
Publication Date:   09 June 2017
Format:   Hardback
Availability:   In Print   Availability explained
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Immediations: The Humanitarian Impulse in Documentary


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Author:   Pooja Rangan
Publisher:   Duke University Press
Imprint:   Duke University Press
Weight:   0.522kg
ISBN:  

9780822363552


ISBN 10:   0822363550
Pages:   264
Publication Date:   09 June 2017
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Illustrations  ix Acknowledgments  xi Introduction. Immediations: The Humanitarian Impulse in Documentary  1 1. Feral Innocence: The Humanitarian Aesthetic of Dematerialized Child Labor  23 2. Bare Liveness: The Eyewitness to Catastrophe in the Age of Humanitarian Emergency  61 3. ""Having a Voice"": Toward an Autistic Counterdiscourse of Documentary  103 4. The Documentary Art of Surrender: Humane-itarian and Posthumanist Encounters with Animals  151 Conclusion. The Gift of Documentary  191 Notes  197 Bibliography  223 Index  241"

Reviews

Pooja Rangan's incisive voice brings tremendous critical acumen and clarity to the interpretation of the humanitarian documentary impulse in global media now. A powerful and timely work, <i>Immediations</i> will undoubtedly exert a strong influence on film and media studies and will be widely read by those who care about the sentiment of benevolence and its mediated impacts for a long time to come. --Lisa Cartwright, author of Moral Spectatorship: Technologies of Voice and Affect in Postwar Representations of the Child


Author Information

Pooja Rangan is Assistant Professor of English in Film and Media Studies at Amherst College.

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