Overview

Can novels contribute to the ethical lives of readers? What responsibilities might they bear in representing others? Are we ethically accountable for how we read fiction? This study takes up modern Japanese fiction and metafiction, subjects overwhelmingly ignored by Anglophone scholarship on novel ethics, to discover pioneering answers to these and other questions. Each chapter offers new readings of major works of modern Japanese literature (1880s through 1920s) that experiment with the capacity of novel narration to involve readers in ethically freighted encounters. Christopher Weinberger shows that Mori Ogai and Akutagawa Ryunosuke help to address key issues in new ethical theories today: debates about the roles that identification and empathy play in novel ethics; concerns about the representation of “otherness” and alterity in novels; divergence between cognitive and affective theories of ethics; widespread disagreement about what novel ethics obtain in the experience of reading, the effects of reading, or the form or content of novel representation; and, finally, concerns with bias and appropriation in the study of world literature. Concluding with a jump to the present, Imaginary Worlds and Real Ethics in Japanese Fiction puts on display a startling continuity between the methods of Japan’s modern novel progenitors and those of novelists at the forefront of global literature today, especially Haruki Murakami. Ultimately, this book models an original approach to ethical criticism while demonstrating the relevance of modern Japanese fiction for rethinking contemporary theories of the novel.

Full Product Details

9798765105382

Table of Contents

Reviews

A sophisticated and compelling study that reveals the crucial rhetorical role narrative reflexivity plays in the fiction of several major figures of modern and contemporary Japanese literature. Weinberger not only provides fresh perspectives on important individual novels, but also makes a significant contribution to ongoing discussions of the ethical claims of fiction in a globalized literary environment. * Dennis Washburn, Burlington Northern Foundation Professor in Asian Studies, Dartmouth College, USA * Against a critical tradition that has read Mori Ogai, Akutagawa Ryunosuke, and Murakami Haruki as having failed to conquer their personal demons and live up to the ethical and political challenges of their respective historical moments, Weinberger writes with a refreshing and radical premise: that these Japanese writers have something vital to teach us and that it is the critic’s job to elucidate what that is. The result is a brilliant, full-throated articulation of the value of literary reflection on real-world problems. * J. Keith Vincent, Associate Professor of Japanese and Comparative Literature, Boston University, USA *

Author Information

Christopher Weinberger is Associate Professor of Comparative World Literature and founder and Program Coordinator of Video Game Studies at San Francisco State University, USA. He teaches narrative and literary theories in Japanese and Anglophone traditions and has contributed to Novel and Fault Lines of Modernity (Bloomsbury, 2018), among other publications. He is currently writing for the forthcoming Oxford Handbook of Global Realisms.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available