Free Delivery Over $100
|
|
|||
|
||||
OverviewFull Product DetailsAuthor: Uroš Cvoro (Associate Professor in Art Theory at UNSW Australia, Arts, Design & Architecture, University of New South Wales, Australia) , Kit Messham-Muir (Curtin University, Australia)Publisher: Bloomsbury Publishing PLC Imprint: Bloomsbury Visual Arts Edition: NIPPOD Dimensions: Width: 15.60cm , Height: 2.50cm , Length: 23.40cm Weight: 0.454kg ISBN: 9781350227378ISBN 10: 1350227374 Pages: 290 Publication Date: 23 March 2023 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsList of Illustrations Acknowledgments Introduction: Zero Hour, Ground Zero Chapter 1: The Trauma Artist Chapter 2: Weaponising Affect Chapter 3: The Gamification of Terror Chapter 4: Weaponisation of History Chapter 5: Military Humanism Chapter 6: Militant Humanism: Repurposing War Infrastructure Conclusion: Weaponised Art Bibliography IndexReviewsAuthor InformationUroš Cvoro (UNSW Sydney, Australia) researches artistic and cultural strategies dealing with the multiple challenges of post-global exchange such as conflict, economic collapse, and migration. His books include Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia (2014), Transitional Aesthetics: Contemporary Art at the Edge of Europe (Bloomsbury, 2018), and Post-Conflict Monuments in Bosnia and Herzegovina: Unfinished Histories (2020). Kit Messham-Muir (Curtin University, Australia) researches contemporary art and visual culture that addresses war, terror, and political violence. He wrote Double War: Shaun Gladwell, visual culture and the wars in Afghanistan and Iraq (2015). He is Lead Chief Investigator of the Art in Conflict project, which receives a Linkage Project grant from the Australian Research Council of $293,380 over 2018-2021. Tab Content 6Author Website:Countries AvailableAll regions |
||||
