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OverviewThis title was first published in 2000. This work sets out to establish an original sociology of art and artistic practice. Based on the theories of Emile Durkheim, and contemporary models of complex social systems, it offers a critique of current history, philosophy and sociology of art. It cites a series of critical moments in the history of art in which communities of practice, criticism and appreciation are realized in images and in words. In so doing the work stands in a constructive, critical and informative relation to much contemporary art historical theory. Full Product DetailsAuthor: John A. Smith , Chris JenksPublisher: Taylor & Francis Ltd Imprint: Routledge ISBN: 9781138729209ISBN 10: 1138729205 Publication Date: 19 December 2018 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: Not yet available  This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsContents: The need for paradigm change; Durkheim's dangerous idea; Kinds of representing; The dream of human life: platonic, sophistic, and Christian imagery in Michelangelo's art; Impossible representatives; Manet's Olympia; Duchamp's intervention; Greenberg's notion of competence; Lucien Freud's figuration; Gerhardt Richer; After Heidegger: notes toward a unified ontology; Bibliography.ReviewsAuthor InformationTab Content 6Author Website:Countries AvailableAll regions |
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