Illegibility: Blanchot and Hegel

Author:   Dr William S. Allen (University of Southampton, UK)
Publisher:   Bloomsbury Publishing Plc
ISBN:  

9781501376757


Pages:   264
Publication Date:   01 July 2021
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Illegibility: Blanchot and Hegel


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Author:   Dr William S. Allen (University of Southampton, UK)
Publisher:   Bloomsbury Publishing Plc
Imprint:   Bloomsbury Academic USA
Weight:   0.517kg
ISBN:  

9781501376757


ISBN 10:   1501376756
Pages:   264
Publication Date:   01 July 2021
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Acknowledgments Abbreviations Introduction: Marks of Experience 1. Roussel and Lautréamont 2. Derrida: Infinite Outline 3. Hegel: Uneasy Infinite 4. Blanchot: Nothing Doubled 5. Blanchot: Wholly Impossible References Index

Reviews

How does one approach a written work that problematizes the regulative ideal of a legible book? This question is associated with Derrida's deconstruction of Hegel. As William S. Allen demonstrates in this fascinating study, it was posed in a unique way by Blanchot, whose own engagements with Hegel invite us to rethink the relation between the terms differance and aufheben. * Andrew Cutrofello, Professor of Philosophy, Loyola University Chicago, USA *


How does one approach a written work that problematizes the regulative ideal of a legible book? This question is associated with Derrida's deconstruction of Hegel. As William S. Allen demonstrates in this fascinating study, it was posed in a unique way by Blanchot, whose own engagements with Hegel invite us to rethink the relation between the terms differance and aufheben. * Andrew Cutrofello, Professor of Philosophy, Loyola University Chicago, USA * Illegibility: Blanchot and Hegel applies near-exhaustive knowledge, and laser-like insights, to develop a reading of Hegel through Blanchot, with judicious reference to other thinkers such as Derrida. Hegel stands as a figure for a type of double, even dialectical reflection, in which Blanchot found inspiration even as he challenged and rewrote the Enlightenment philosopher's thinking. Allen's profound and sustained analysis, based on careful attention to texts, represents what the humanities is best able to do, and he proceeds by means of a nonetheless rigorous scientificity that should be the gold standard for researchers in any field. * David Wills, Professor of French Studies and Director of Graduate Studies, Brown University, USA *


[Allen’s] work offers a forceful corrective to the simplifications or even outright parodies of Hegel one sometimes finds in work on Blanchot and many of his fellow-travellers in twentieth-century French literary philosophy ... Allen’s book is unlikely to be surpassed as a philosophically robust and clearsighted guide to the entretien infini between Hegel and Blanchot, philosophy and literature, and negation and negativity. * Hegel Bulletin * How does one approach a written work that problematizes the regulative ideal of a legible book? This question is associated with Derrida’s deconstruction of Hegel. As William S. Allen demonstrates in this fascinating study, it was posed in a unique way by Blanchot, whose own engagements with Hegel invite us to rethink the relation between the terms différance and aufheben. * Andrew Cutrofello, Professor of Philosophy, Loyola University Chicago, USA * Illegibility: Blanchot and Hegel applies near-exhaustive knowledge, and laser-like insights, to develop a reading of Hegel through Blanchot, with judicious reference to other thinkers such as Derrida. Hegel stands as a figure for a type of double, even dialectical reflection, in which Blanchot found inspiration even as he challenged and rewrote the Enlightenment philosopher's thinking. Allen’s profound and sustained analysis, based on careful attention to texts, represents what the humanities is best able to do, and he proceeds by means of a nonetheless rigorous scientificity that should be the gold standard for researchers in any field. * David Wills, Professor of French Studies and Director of Graduate Studies, Brown University, USA *


Author Information

William S. Allen (PhD, University of Warwick) is an independent researcher at the University of Southampton, UK, and the author of the following books: Adorno, Aesthetics, Dissonance: On Dialectics in Modernity (Bloomsbury, 2022); Noir and Blanchot: Deteriorations of the Event (Bloomsbury, 2020); Blanchot and the Outside of Literature (Bloomsbury, 2019); Without End: Sade’s Critique of Reason (Bloomsbury, 2018); Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (2016); and Ellipsis: Of Poetry and the Experience of Language after Heidegger, Hölderlin, and Blanchot (2007).

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