If Apples Had Teeth

Author:   Milton Glaser ,  Shirley Glaser
Publisher:   Enchanted Lion Books
ISBN:  

9781592702268


Pages:   40
Publication Date:   31 August 2017
Recommended Age:   From 2 to 8 years
Format:   Hardback
Availability:   In stock   Availability explained
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If Apples Had Teeth


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Full Product Details

Author:   Milton Glaser ,  Shirley Glaser
Publisher:   Enchanted Lion Books
Imprint:   Enchanted Lion Books
Dimensions:   Width: 17.80cm , Height: 1.10cm , Length: 22.00cm
Weight:   0.219kg
ISBN:  

9781592702268


ISBN 10:   1592702260
Pages:   40
Publication Date:   31 August 2017
Recommended Age:   From 2 to 8 years
Audience:   Children/juvenile ,  Children / Juvenile ,  Children / Juvenile
Format:   Hardback
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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Reviews

"""You will want this book. It might change the way you look at the world. Some of the IFs are practical: 'If apples had teeth, they would bite back.' 'If a kangaroo was fond of you, he could carry your books home from school.' Some of the IFs rhyme or have alliteration: 'If a rhinoceros wore a sweater, he would look a lot better.' 'If horses had hat racks, they would be reindeer.' But some of the IFs make you drop your chin: 'If eggs were made of glass, you could count your chickens before they hatched.' 'If trees were pink, they would be nevergreens.' Did I mention the art? Very whimsical and fun!""—A Year of Reading ""This is a reprint of a title originally published by Knopf in 1960. The words and illustrations are delightfully wide-eyed, deranged, and possibly subversive. Apples bite back. The soup talks back! Alligators masquerade as luggage. (Watch out!) Each page posits `what if,’ and offers a delightfully absurd response. Some pages rhyme. Some don’t. But there’s a zippy rhythm to the text that makes for good reading aloud. Five to eight year olds who like to laugh will love this one. Young wordsmiths and artists will be eager to create their own `what ifs’ and draw them. It’s a book that makes the reader feel energized and want to participate.""—STARRED REVIEW, Robin Shtulman, Youth Services Book Review"


You will want this book. It might change the way you look at the world. Some of the IFs are practical: 'If apples had teeth, they would bite back.' 'If a kangaroo was fond of you, he could carry your books home from school.' Some of the IFs rhyme or have alliteration: 'If a rhinoceros wore a sweater, he would look a lot better.' 'If horses had hat racks, they would be reindeer.' But some of the IFs make you drop your chin: 'If eggs were made of glass, you could count your chickens before they hatched.' 'If trees were pink, they would be nevergreens.' Did I mention the art? Very whimsical and fun! --A Year of Reading This is a reprint of a title originally published by Knopf in 1960. The words and illustrations are delightfully wide-eyed, deranged, and possibly subversive. Apples bite back. The soup talks back! Alligators masquerade as luggage. (Watch out!) Each page posits 'what if, ' and offers a delightfully absurd response. Some pages rhyme. Some don't. But there's a zippy rhythm to the text that makes for good reading aloud. Five to eight year olds who like to laugh will love this one. Young wordsmiths and artists will be eager to create their own 'what ifs' and draw them. It's a book that makes the reader feel energized and want to participate. --STARRED REVIEW, Robin Shtulman, Youth Services Book Review


You will want this book. It might change the way you look at the world. Some of the IFs are practical: 'If apples had teeth, they would bite back.' 'If a kangaroo was fond of you, he could carry your books home from school.' Some of the IFs rhyme or have alliteration: 'If a rhinoceros wore a sweater, he would look a lot better.' 'If horses had hat racks, they would be reindeer.' But some of the IFs make you drop your chin: 'If eggs were made of glass, you could count your chickens before they hatched.' 'If trees were pink, they would be nevergreens.' Did I mention the art? Very whimsical and fun! -A Year of Reading This is a reprint of a title originally published by Knopf in 1960. The words and illustrations are delightfully wide-eyed, deranged, and possibly subversive. Apples bite back. The soup talks back! Alligators masquerade as luggage. (Watch out!) Each page posits `what if,' and offers a delightfully absurd response. Some pages rhyme. Some don't. But there's a zippy rhythm to the text that makes for good reading aloud. Five to eight year olds who like to laugh will love this one. Young wordsmiths and artists will be eager to create their own `what ifs' and draw them. It's a book that makes the reader feel energized and want to participate. -STARRED REVIEW, Robin Shtulman, Youth Services Book Review


Republished for the first time since its original debut more than half a century ago, If Apples Had Teeth is part poetry, part art, part jubilant nonsense, radiating a simple, playful, yet profound question: Why must things be the way they are, and what if they were otherwise? --Maria Popova, Brain Pickings You will want this book. It might change the way you look at the world. Some of the IFs are practical: 'If apples had teeth, they would bite back.' 'If a kangaroo was fond of you, he could carry your books home from school.' Some of the IFs rhyme or have alliteration: 'If a rhinoceros wore a sweater, he would look a lot better.' 'If horses had hat racks, they would be reindeer.' But some of the IFs make you drop your chin: 'If eggs were made of glass, you could count your chickens before they hatched.' 'If trees were pink, they would be nevergreens.' Did I mention the art? Very whimsical and fun! --Mary Lee Hahn, A Year of Reading This is a reprint of a title originally published by Knopf in 1960. The words and illustrations are delightfully wide-eyed, deranged, and possibly subversive. Apples bite back. The soup talks back! Alligators masquerade as luggage. (Watch out!) Each page posits 'what if, ' and offers a delightfully absurd response. Some pages rhyme. Some don't. But there's a zippy rhythm to the text that makes for good reading aloud. Five to eight year olds who like to laugh will love this one. Young wordsmiths and artists will be eager to create their own 'what ifs' and draw them. It's a book that makes the reader feel energized and want to participate. --STARRED REVIEW, Robin Shtulman, Youth Services Book Review This book reminds me of... the creative ways we play with language--twisting and turning and creating new stories along the way. [...] And reading it aloud is especially fun as it evokes the best sort of silliness and may even inspire your own creative book related game. --Miranda Rosbach, My Bookbloom Smart, zany and iconic. --Liam, @wordsandillustrations A clever and beautifully-designed book, with just the right amount of weirdness, from the design genius behind the iconic 'I love NY' logo. --Erin Messer, City Lights Bookstore (San Francisco, CA)


Author Information

Shirley Girton Glaser studied photography and art at The Cooper Union. After graduating in 1956, she married Milton, and together they went to Italy, where Shirley continued her studies at the Academy of Fine Arts. It was after their return to the US that Shirley started her career as a children's book author. Her books include The Big Race, The Alphazeds, and IF, all illustrated by Milton. Milton Glaser (b.1929) is among the most celebrated graphic designers in the United States. He has had the distinction of one-man-shows at the Museum of Modern Art and the Georges Pompidou Center. He was selected for the lifetime achievement award of the Cooper Hewitt National Design Museum (2004) and the Fulbright Association (2011), and in 2009 he was the first graphic designer to receive the National Medal of the Arts award. As a Fulbright scholar, Glaser studied with the painter, Giorgio Morandi in Bologna, and is an articulate spokesman for the ethical practice of design. He opened Milton Glaser, Inc. in 1974, and continues to produce a prolific amount of work in many fields of design to this day.

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